Revista Académica Estesis

09-25

Authors: Maria Alejandra Espinosa Moreno

Living in a city today implies being subject to the accel-erated pace of the production and consumption activities, established in westernized societies. The speed require-ment prevents spending time while walking, a practice linked to the appropriation of the space that is inhabited. In this sense, the hypothesis proposed is that walking is an everyday act of resistance, through which the inhabi-tants participate in the construction of the city. Therefore, walking constitutes a poetic and political act. The argu-mentation resorts to the revision of theoretical references and to the analysis of some contemporary art proposals that explore the practice of walking as a procedure to invent the space, questioning the uses instituted in ur-banization processes. In conclusion, walking allows us to rediscover everyday spaces and originates multiple stories from which the space makes sense.

72-97

Authors: Santiago García Martínez

This text analyzes issues in tension around the concept of eternal women in the practices of traditional and pop-ular music in Latin America based on the case study of the Proyecto Formativo Integrador of the Decanatura de Prácticas Musicales of the Tecnológico de Artes Débora Arango developed in the first half of 2022 called Sound Images: creative trajectories from the musical poetics of Latin American eternal women. From the above, it is evi-dent in the discourses of the teachers and students partic-ipating in the project, positions in tension and dispute for the meaning of what and who are the eternal women in the field of music. Likewise, there is an important interest in expressing, through artistic creations, symbolic denun-ciations that add to the narratives of many artists in the world who have voiced in their works the discriminated role of women in society, as defined by Eduardo Galea-no: "the nobodies". To this end, three sections are devel-oped: The first one made some theoretical approaches for the analysis of the concept of eternal women; the second sought to systematize and analyze the final event of the project in which a large part of the community of musi-cians turned to present their creations and artistic reflec-tions in a concert; and finally, some significant experiences lived by the Semillero de Investigación Cantos y Cuentos de Mujeres Eternas during the academic semester were discussed

27

Authors: Jose Octavio Castro Bedoya

This article deals with the role that the body and the dra-maturgy have in the contemporary performing arts cre-ation, as well as of the place where the actor-creator is settled in a scene of research-creation, such as the Dra-maturgy of the Body Laboratory. Its construction arises from the inquiry about the creative possibilities that ex-perimentation can shed in academic areas with a stand-point from the dramaturgy of the body. Therefore, in the research of a methodology that allows to decolonize the theater of the text-centrismand established models that become the acting exercise into simple reproduction. This put both, the body and the dramaturgy, in expanded fields that allow a dialogue between them in the construction of new theatricalities, leading the researcher-student to the experimentation and the encounter with the unexplored, to get to different ways of creation and expression, differ-ent from the established by tradition.

63

Authors: Juan Esteban Villegas Mazo German Hincapié HernandezOscar Alberto Fernández Marín

This work presents an application developed for mobile devices that can be used to create contents of Colombian Andean music in the genres of bambuco and pasillo with samples of string instruments such as tiple and guitar, and percussion such as bombo, esterilla, the guachara-ca and cucharas. It is intended that this application can be used by anyone as a pedagogical tool that facilitates and promotes these genres, mainly in students. A comple-mentary part of this work contains instructions to guide the user in its handling and includes a theoretical section where the musical genres developed here are explained; additionally, it has video tutorials recorded exclusively to support its understanding

111

Authors: María Elena Restrepo Zabala

This article is born from an unexpected meeting with a family treasure; a series of epistles that my grandfather, Silvio Restrepo, wrote to his children as a way of accompa-nying them on their journeys through life. In one of them, named Los caminos, he addresses his youngest son, Juan David; there, he tells him why paths, walking, contempla-tion and pause are important to him. In this meeting I dis-covered that the path asked me for a pause; I felt that those teachings of my grandfather had also been written for me. I let myself be embraced by his words, and I began to reflect about the path as a metaphor for going through life.This journey takes as its language a series of plastic searches represented in threads and textile wefts, sketch-es, spots and lines; there, I find the pause in my daily life, and from it, a series of plastic objects arise where I record each of those reflections that emerge in my walk.With this article I invite the reader to pause, and in this way recog-nize himself as a walker

27

Authors: Rubén Yepes Muñóz

This article aims to elucidate the visual culture concept. Al-though this is a key concept within the field of visual stud-ies, it is still in need of an adequate conceptualization. The article begins with a brief synthesis of the use of “visual culture” in visual studies. Following, it discusses the concept of culture and asks what is the visual in visual culture, building from this discussion, it proposes a concept of “visu-al culture”. Finally, the article revises some of the definitions of visual culture under the light of the proposed concept

51

Authors: Juan Diego López Medina

The purpose is to inquire between brands or companies that, due to the pandemic, had to be completely reformu-lated or were born from the unemployment resulting from commercial and economic suspension. The research seeks to identify in the creative and cultural ecosystem compa-nies context (basically in arts and design), what elements of the circular economy (The 9 Rs, it adds a tenth) apply and how much they contribute to the fulfillment of 3 sustainable development goals (8. Decent work and economic growth; 9. Industry, innovation and infrastructure; 12. Responsible consumption and production).Although 17 Sustainable Development Goals are wide-ly known, the project is limited to the 3 mentioned above, since the preliminary investigation reveals a lack of knowl-edge about the subject by the enterprises and it is consid-ered that the selected are the ones with which organizations that participate voluntarily will be more familiar. In addi-tion, it is intended to identify if there is any articulation with territorial development plans and at the same time, if said plans include within their lines of action, the promotion of creative industries.The fieldwork process aims at the production of a book chapter that evidences the state of approach to the prin-ciples of circular economy in a natural and empirical way, that is, without intervening or previously informing the en-tities of what the economy consists of. circular so as not to affect the behavior of the analysis categories in a qualita-tive naturalistic research. In addition, a book that describes from field work the 10 Rs and 2 Cs of the circular economy applied in this case to the industries of the creative and cultural ecosystem.

81

Authors: María Isabel Morales Restrepo

The construction of this work starts from the concept of “anatomies” as a body, considering that the human being is an enigmatic structure as a functional organism, but what is of interest is a body registry with which it is pos-sible to experiment and create a material interpretation of it. Anatomies were the starting point in this search from research-creation in arts between bodies, but it is accom-panied by a second concept that is materiality, from which some dialogues arise to specify this process. In the project Anatomies (in) visible: dialogues between materialities, he focuses mainly on a register on the skin, an experimentation with textile material (threads, wool and cabuya) and a visu-al-textual dialogue. Thus creating other ways of seeing what may be invisible in the body, but visible in the dialogue

15

Authors: Jose Santiago Correa Cortés Diego Alejandro Santa Ayala

The paper gives an account of the analysis of the feasibility of the dynamics of the TME Educational Transmedia, if they enable students to search for individual and collective re-flection, with a social sense, that stimulates innovative-cre-ative and transformative projects in young people. of its surroundings; recognizing that the principles and duties of the university aim to provide opportunities for learning and meaningful participation during the training processThe strategy consisted of a first approach to the young person's environment, who reflects through basic research processes, photographic and basic sound techniques. They create content that accounts for what they perceive, that explain how they live and how they transcend the appro-priate concepts during their learning process and above all how they interact from the technical, technological and pro-cedural elements that allow the application of Transmedia Narrative in a TME environment

39

Authors: Edwin Alexander Castro Mendez

This article aims to recognize the importance that the so-norous design constitutes for the sonorous scene from the dissimilar places or spaces in which sound, as a preponder-ant factor, accompanies life itself to give relevance to noise, which, for creative purposes, becomes the working material of a designer, who has found symbolic elements in any space that can give rise to thinking about noise as a producer of sensations which allow the design of pieces that contain meaning by themselves, or that can fuel images of cinema, fixtures, performance, among others.The historical journey in which this paper is immersed, wants to unveil the creative potentialities that life itself toss-es day to day with relevance to ways of making music away from the western tempered thought. The text concludes with the description of a compositional project in the midst of the Covid-19 pandemic.

59

Authors: Juan Esteban Lema Ardila

This text aims to expose a few thoughts about the ped-agogical praxis of professor Bernardo Piedrahíta Naran-jo. In addition, methods and techniques that he uses in his teaching work are described and also how the students at the Escuela Superior Tecnológica de Ar-tes Débora Arango can strengthen their education pro-cess, not only as artists, but as integral human beings

77

Authors: Andrey Astaiza

la investigación y las artes en par-ticular la música, me parece que tiende a percibirse como opuesta, o como contradictorias. Y esto es cierto, aun en las universidades y las facultades de arte, de las que creo venimos todos. Yo pienso en la Universidad, donde he servido como director de las artes sono-ras y vicerrector de la universidad las artes del Ecuador, que está fundada sobre el principio de la investigación en artes, la relegación de la trayectoria artística, de músicos activos en su campo, que no necesariamente vienen de la tradición de la música occidental. Y obviamen-te en la creación de una universidad que no se ha anquilosada y que responda a la realidad del Ecuador y sus necesidades.

17

Authors: John Mario Montoya Ramírez

This paper shows, as a logbook, the different attempts to es-tablish a methodology for a research-creation proposal about a memory exercise. Research-creation is the method adopt-ed by Arts as an alternative to propose artworks as part of the result of a research process. Nevertheless, each artistic proposal requires a particular way of materializing, that is, a methodology that allows both the production of papers and the creation of artworks. This text is the compilation of the journeys and displacements that allowed me to estab-lish a methodology to propose a work of art and a research about the violent events that marked the time of my youth

43

Authors: María Isabel Quiroz Cardona

In this article the research-creation of the plastic work “Gestures that contain” is exposed, in which the collection of specific objects related to music, is investigated based on its characteristics and processes such as, collection, review, classification and transformation. The same ones that will allow the materialization of a sound installation in which the collector ́s room is recreated and the music of the dis-cos is heard at 78rpm. All this contained in a “Huacal” in which a poetic space is generated to reflect on the dynamics referred. The concept of collecting is used to review how we relate to objects and the link that is generated with them by identifying with some of them

67

Authors: Auta Inês Medeiros Lucas d’Oliveira

Este trabalho busca aproximar o conceito de transcriação com os propósitos da investigação-criação através de uma abordagem sobre os processos de formação de conhecimen-to que fluem em espaços intersticiais entre o sensível e o inteligível, o material e o imaterial, até chegar às reflexões sobre autoconhecimento e arte-educação. Utiliza referentes teóricos e ações de experimentação-criação que permitem compreender como se transcria conhecimento em diálo-go com as artes. O texto é resultado da participação no seminário de linha Estudos culturais e linguagens contem-porâneas, intitulado “Epistemologia das materialidades: uma aproximação à performatividade dos objetos na in-vestigação”. A partir do trabalho aí realizado, componho o conceito de transcriação para discutir a investigação, a arte e a educação na mesma corrente de fluxos formativos que constantemente perpassam o universo das materialidades.

103

Authors: Luz Elena Restrepo Pérez Edilberto Hernández González

In this text we review the presence of the bodies of domestic workers in the visual arts in the Latin American context. This work displays one of the purposes of the doctoral thesis The Rooms of Domestic Servants: Spaces for the Formation of Bodies, study that has been raised and developed from the research-creation perspective. Thus, in this article we make an approach to two works by Colombian artists, the project of a Peruvian artist and three film productions. This set of artistic works allows us to think about the way in which the body of the domestic employee is present and to emphasize that, beyond the aesthetic regimes that operate in the configuration of images, in these works converge ide-ologies of class, racism and the deep social inequalities that openly subsist in Latin America in very different ways

127

Authors: Marcela Inés Díaz Julia Adriana Castro Carvajal

TThis article comes from the participation in a creative and experimental exercise led inside a Doctorate seminar. Epis-temology of materialities: an approach to the performativ-ity of objects in research. Each meeting was motivated by the question: Which epistemological outputs and body con-ditions conduct corporeity in the research unfolding? Each session was a blind meeting with some corporeity that re-vealed their strength to induce inner affections as subjects. At the same time, they triggered reflections about the place of corporeity in education research