Revista Académica Estesis

21

Authors: Omar Pacheco

La búsqueda de Omar Pacheco concluyó en la creación de un sistema de comuni-cación diferente, opuesto al teatro tradi-cional y sustentado en los valores esen-ciales del hombre. No solo transgrede las formas convencionales establecidas, sino que busca la creación en la anar-quía y en el desorden.En ese camino permanece hace más de 36 años por cuanto concibe un teatro que mo-viliza y transfiere una forma de comunica-ción con el objeto de modificar la actitud contemplativa y pasiva del espectador.No se puede renunciar a la libertad y a la belleza cuando se emprende la aven-tura del arte y, menos, al compromiso cotidiano, al riesgo y a los principios que justifican permanecer en La otra orilla.En el presente trabajo, Omar Pacheco ex-plica su propuesta y despliega concep-tos ideológicos, metodológicos y estéti-co-narrativos.

41

Authors: Eduardo Correa

This language is diverse and responds to various interests, but within common ground.There, is where the management drives the artistic activity by not only demanding compromise but also implementing new ways of reproduction, research, analysis and innovation.

19

Authors: Yoni Alexánder Osorio

The city is a space that has stopped being an urban setting-up to become a symbolic body full of narrative phenomenons; those phe-nomenons are just perceived by those who are enticed by the city’s cadaveric shapes, which are printed in its streets and walls. They invite people to poeticize about the city’s decomposition, about necrotic matters, to do magic with its sick body’s bowels. Only the man who is touched by the urban morbid charming, inhabits the city and is urged to wander through it, finding a whole dramatic load, reading its signs as diverse portrayals of the human fables, expanding the subjectivi-ty without any break, as if the death of the established was his function; this meeting with the city’s dramaturgy is a find from the orphic gaze, that is a chance, not a sickness. It is a maker force, because it unveils and in-carnates the lost spirit, recognizing that only in the inhabiting experience it is possible to find the charming of the showmanship in the human existence.

51

Authors: Ana Carolina Fialho de Abreu

ThisRESEARchAIMStoINVESTIGATEthehôx-WA,ARITUALCOMICALfigureoftheKrAHÔeth-NICgroup,LOCATEDINtheSTATEofTOCANTINS,INtheNORTHREGIONOFBrAZIL.ItALSOPRESENTSAbriefPEDAGOGICALPROPOSALdevelopedUPONtrADITONALGAMES,INSPIREDbytheINDIGENOUSCOMICALprACTICEoftheKrAHÔpeople.Forsuch purpose,itwASCONDUCTEDAfieldstudyANDAthickETHNOgrAPHyofthePÀRTIorJÀTjôpĨ(Po-TATOFestivAL)RITUAL,wherethehôxwAPLAys theLEADINGroleANDHASthe“PROTAGONISM”REENACTINGANDRESTORINGthespiritofcom-MUNITYANDfreedom,withtheESCENTIALele-MENTSofGAMES,festivityANDLAUGHTER.Lit-erATUREreviewforthisRESEARchisBASEDONAMULTI-REFERENTIALHORIZONTHATINVOLVESCON-ceptsANDtheoriesfromDIFFERENTDISCIPLINESANDseverALAREASofKNOWLEDGE,INCLUDINGART,PEDAGOgy,ANDANTHROPOLOgy.Further,it APPEARsREFERENCESfromPROMINENTAUTHORs ANDINDIANMASTERsAS:ISMAELAhprACTIKrAHÔ,GetúlioCRUACRAJKrAHÔ,Freire,LIMA,Levi-StrAUSS,MELATTI,DALGALLOeScHIAVINI.ThisprACTICALANDreflexiveworkINprogress seekstohelpTHEATERTEAChersANDARTISTSININCLUDINGthehistoryANDINDIGENOUScultures INbrAZILIANschools.FINALLy,theGAMEScre-ATEDfromhôxwA’sACTIONSMAyCONSTITUTEAmethodoloGICALAPPROAChtoTHEATERPEDAGO-gyANDCANCONTRIBUTEtotheINCLUSIONOFIN-DIGENOUSissuesINschools,MANDATORYSINCE2008,wHENENACTEDLAW11.654UNBrAZIL.

90

Authors: Laura Marcela Castañeda Quesada

This article presents an approach to ex-perimental music through the characteri-zation of the processes of musical creation of Pedro Rincon Ortiz, creator of the “Rota-ry Lab” project. It is part of a reflection on the concept of experimental music through different authors who have researched the field of musical creation. Also, some refer-ences art from local, national and interna-tional level are taken into account. For the characterization of the processes of musical creation of Pedro Rincon, applied case study, technique that allowed the approach the composer through some meetings that were conducted semi-structured interviews and spontaneous conversations that emerged different senses and meanings associated with his own result experiencia. Como of the study proposes a characterization of the creative process which the composer con-ducted through experimental procedures in your music production. Expected with this work, contribute to the understanding of such creative processes, which have been taking important compositional search of some musicians in the city of Medellin and its metropolitan area.

17

Authors: Gustavo Adolfo Zapata Ospina

This article seeks to find the place the body in Western twentieth century dance through the approaches of canonical figures in the history of the discipline. For this purpose, it offers a tour of François Delsarte that culminates in Pina Bausch and where you see how each choreographer of the time was reformulating the visions of body that inherited. The article concludes that the authors (dancer-choreographers) are the construct of a changing century that leaves the body as creator not only of techniques that enable today understand the language, but as a vehicle of creation itself

49

Authors: Yoni Alexánder Osorio

Current academic worries are not just interested in scientific subjects. They also allow thinking about matters related with humans and the way they construct realities based on cultural, anthropological and esthetic symbolic issues. From this point of view, the article pretends contributing to a reflection about the city and those representative symbols implicated in human realities; it pretends to see the city walls as a skin that has scars, narrates stories and saves the memories of its unofficial history, especially things about women that are excluded from the social speech. So, we can see the city walls as a mirror that reflects all the elements that took them (women) to the social exclusion. This view at the city’s skin finally ends with a construction based on five walls located in Envigado that inspired five marginalized women stories. These stories turned into a song that tells about their own aesthetic manifestations. All this matter is supported by the writings of several authors who, from literature, sociology, anthropology and philosophy, give the theoretical acknowledgment to this kind of work.

79

Authors: Leonidas Álvarez Echeverri

This article is proposed display the Technology School of Arts Debora Arango as a legacy to future generations, impellers milestones of education, the development of art and expression of culture; Mark reasons, justifications and recognition to the person, the artist, the work and the struggle of who lent her name to the institution and it is today concerning future generations are the purposes of this article to propose that the slogan “We are all Debora “ is a real builder of the deborianos values.

105

Authors: Catalina Rojas Casallas

The article presents the experience developed during the project Ex situ / in situ prácticas Artísticas en Comunidad, held in the commune 4 of Medellin, and coordinated by the team work of the Cultural Development Center Moravia. Castillo Soñado is an artistic proposal that allows debate and publicize the links of patrimonial activation made permanently by artistic practices. The experience was expanded considering the participation of women leaders from the neighborhood, their symbolic capital that comes to define dynamic social and political power within the neighborhood, generated this with the pretext to remember and bring the relevant objects present in the lives of those women.