Revista Araticum

5-12

Authors: Ângela Maria Salgueiro Marques

O presente trabalho objetiva analisar alguns contos de Oswaldo França Júnior, escritor mineiro, relacionando-os com os conceitos de ilusão de ótica e ilusão oracular, sendo esta baseada no referencial teórico proposto por Clément Rosset.

22-32

Authors: Jorge Wolff

Partindo da noção de “telquelismos latino-americanos”, o texto reflete sobre a disseminação das ideias do grupo Tel Quel – cuja revista, dirigida por Philippe Sollers, foi publicada entre 1960 e 1983 – no Brasil e na Argentina. Os neo-vanguardistas franceses reunidos em torno de Tel Quel reivindicaram o ensino de Jacques Lacan, além das teorias de Roland Barthes e Jacques Derrida, sendo que alguns destacados intelectuais latino-americanos falaram a mesma língua vanguardista-psicanalítica sob distintas formas político-poéticas, a exemplo dos escritores Silviano Santiago e Ricardo Piglia, abordados aqui.

44-51

Authors: Telma Borges

Clearly a follower of a tradition founded by Edgar Allan Poe, Rubem Fonseca in the short story “Romance Negro” considers Willian Wilson, written by the American writer. This study thus, aims an analysis of how the Brazilian writer reads through the tradition of rupture, Poe’s short story.

62-70

Authors: Sérgio Mauro

This essay aims to analyse the temporal dimension and the temporal instruments which the baroques poets utilized in Italy. We intend to demonstrate that the “minor poets” of that period made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

3-11

Authors: Robson Coelho Tinoco/ Marília de Alexandria

Under the dialogical notion of a given poetic-musical language can be structured activities that best relate literature and music (popular and classical). In that current context historical of globalization and multisemiotic informations it is believed that, in the measure in the person notices the due relation / integration of those levels, the contact with the implicit musicality in the verses of poems will make possible that she is apprehended better until as contemporary melopoetic element. With such concern, and leaning on in analyses of Mikhail Bakhtin, Octavio Paz, José Miguel Wisnik, Luiz Tatit e Jusamara Souza, the theoretical foundations of the process consider, basically, a conception dialogical and interactionist of that of those artistics language).

23-41

Authors: Maria Gloria Cusumano Mazzi

This paper presents some considerations on intertextuality in general and highlighs the different definitions of parody in special, from Aristotle to the present.

52-59

Authors: Wesley Thales de Almeida Rocha

This article discusses the book Per Augusto & Machina, by Romério de Rômulo, opposing his poetic to his previous books especially Matéria Bruta (‘Gross Matter’). There is something evident in Romério’s poetic trace in this new work and confirms the poet's commitment to combine the various components and real power of his poetry in a "new and opening" language. Other features are transformed and reorganized in a voice accustomed to cry, or to bark more than a language, that is, an almost human and almost animal language. The reference to Augusto dos Anjos, a poet with which Romério Romulus dialogues from the book's title, helps to understand much of that wild intelligence featuring poems. In addition, there is a distinct affiliation of the author to the Baroque which intensifies and transforms from Matéria Bruta and it seems to give new meaning to his poetic work likewise.

5-11

Authors: Stella Montalvão

The focus of the analysis of the short-story “História Natural , written by Autran Dourado, is on how the author develops the narrative point of view and the main character in order to elicit the construction mechanisms of selfrepresentation and stigmatization. As a theoretical guide, the analysis used concepts by Erving Goffman and Stuart Hall, concerning social representations, identity and stigmatization.

21-27

Authors: Leonardo Almeida Filho

The psychological analysis of the novel Angústia (Graciliano Ramos) has become a trend. This paper aims to examine some of the images used by the author, particularly the idea of a screw representing social immobility, and the interpretation of the inherent anguish of the characters of the novel based on Freud and his Civilization and its Discontents.

34-38

Authors: Rodrigo Guimarães

This paper aims to analyze the poems “Passarela” and “Epílogo”, by Altino Caixeta de Castro, in light of reflections on the sensorialist and intellectualist formulations in contemporary poetry, supported by the thinking of Gilles Deleuze(above all his concept of fold) and of Maria Esther Maciel (particularly her development of atopia in the poetry by Altino Caixeta).

46-52

Authors: Telly Will Fonseca de Almeida

Using intimate language, Relato de um certo oriente, by Milton Hatoum, portrays a moving away from and, at the same time, a recovery of the regional literary tradition in which there was a glance at the foreign, at fascination or at fear. Historically, the civilization of Manaus experienced deep structural transformations through the immigration of people of different nationalities. In this sense, the exiled condition is a characteristic of the key characters of this work such as Emilie, Hakim and its own anonymous narrator. We find these characters in a "dialectic of identities", in an allusive cultural collision with the civilization process or with the construction of a modern civilization in Manaus.

1-12

Authors: Alex Fabiano Correia Jardim

The purpose of this text is to introduce the two characters who cross the Grande Sertão: veredas: Riobaldo and Diadorim, using the concept of individuation and life forms in Gilles Deleuze. In Rosa, these characters represent the aforementioned concepts of Deleuze’s philosophy. In this novel, the two characters introduce us to ways of escaping from the tradition of establishing an ethos for the life of a band in the backlands. The signs of love between Riobaldo and Diadorim emphasize their individuality, but not distinguishing them as man and woman, but rather, as bodies of any shape or any individual organism. This individuation of affection is not subject to the binary nature of man/woman, but rather to the life activities that create a new way of living. According to Deleuze, it is these negotiations that create and comprise the hecceities, that is, an activity that is established beginning from the ability to be affectionate and to receive affection.

23-33

Authors: Davi Pessoa Carneiro

The objective of this article is to discuss some aspects of Riobaldo’s ambiguous discourse in Grande sertão: veredas, and its Italian translation by Edoardo Bizzarri, while reflecting on the process of rewriting a literary text, that is, translatability or, as Guimarães Rosa used to refer to in his letters to translators, translateadaptation

44-55

Authors: Diego Gomes do Valle

O intento deste trabalho é discutir que efeitos são causados no leitor ao ler as micronarrativas que estão presentes no romance Grande sertão: veredas, de Guimarães Rosa. Como contribuição para nossa análise, utilizamos o teórico Wolfgang Iser, pois suas teorias dão conta dos efeitos estéticos que a literatura proporciona ao leitor. Este trabalho não pretende, em absoluto, esgotar o tema “micronarrativas”, e sim contribuir para que novos estudos se desenvolvam a partir dele.