Slovenská literatúra

3

Authors: Tomáš Eštok

Holly Lewis: The politics of everybody: Feminism, queer theory, and Marxism at the intersection

4

Authors: Olha Norba

Jakub Mikulecký: Between dissent, underground, and the grey zone. Unofficial Bulgarian literature 1944 – 1989

10

Authors: Terézia Guimard

The strong emphasis that is nowadays put on interdisciplinary approaches and – after the spatial turn in social sciences and the humanities – on space have also inspired literary research of space. From the perspective of contemporary literary studies, the theory of geocriticism developed by Bertrand Westphal is inspiring for its interdisciplinarity and geocentrism. In close connection with such fields as anthropology, geography, history, or cultural studies, B. Westphal defines geocriticism as a poetics of interactions between literature and human space. The French literary scholar also studies the relationships between the fictional and real worlds of literary works and their social and geographical contexts. These in his view help shape cultural identities. The article introduces in detail the theory of geocriticism and its main premises and principles in order to inspire future research, the object of which could be the formulation of a geocritical analysis.

15

Authors: Aneta Podhradská

The two women authors Viola Fischerová (1935 – 2010) and Jaroslava Blažková (1933 – 2017) belong to the same generation, but to (seemingly?) different national literary traditions. The writers ceaselessly experience in their life and work the Central European literary and political space from which they originate. The reception of their writing – by general and professional readership – is ambiguous in both cases. Although critics often suggest that from the literary point of view, they are individually “emptied vessels” about which there is nothing more to say, contemporary perspectives and literary scholarly discussions suggest that a return to their poetics is relevant. On the basis of established literary theoretical premises and by means of parallel analysis and interpretation (which also underline distinct authenticity of their work), the paper attempts to outline those aspects of the texts that might stimulate a renewed interest in the personalities and poetics of these authors in a broader context. In this way, it tries to transcend the boundaries (literary-historical, interpretative, etc.) that have been created for various reasons.

16

Authors: Gabriela Mihlaková

The paper analyses the presence of the motifs of the body, senses and emotions, the degree of representation, functions, and meanings of somaticisms, the ways of aestheticisation of the body and the contradiction or integration of the motifs of the body and the soul in the poetic cycle Ukojenie tôní (Soothing the shadows, 1845) by Samo Vozár (1823 – 1850), a Slovak Romantic poet. Vozár’s sonnets provide ample material for exploring the somatisms involved in the creation of the image (representation, personification) of death, but also of love (both maternal and filial). Corporeal motifs are tied to the object of the lyrical statement (the dead mother) and to the subject of the lyrical statement (her son). Stylistically neutral forms of somatisms prevail. These are used both in the primary sense (naming the parts of the body) and in the figurative one – in the depiction of other phenomena of the external and internal world. They “make visible” the affective experience of the lyrical subject, abstract phenomena connected with the inner experience (the soul), which is manifested in a higher representation of somatisms, which are conventionally considered as carriers, anifestations of mental, emotional movement such as the heart, tears, or blood.

20

Authors: Martin Navrátil

The article deals with Jozef Karol Viktorin’s (1822 – 1874) input into editorial practice regarding the ways of (re)publishing older Slovak literary works. As an editor, J. Viktorin advocated for a critical approach to textual sources, researched the history of the text, collected bibliographical data of variants, applied the procedures of variant collation and explication of obscure places, and used the results of these operations to varying degrees in the creation of the accompanying apparatus of the volumes (his edition of Ján Hollý was also accompanied by a description of editorial manipulation of the text). The linguistic material of individual editions varied (the texts were in Bernolák’s Slovak, reformed Štúr’s Slovak, and Slovak deliberately preserving common elements with the Czech language). In the case of publishing living authors, the editor led constructive dialogues (Andrej Sládkovič, Jonáš Záborský) and when it came to authors who were no longer alive (J. Hollý), he consulted other literary specialists about the optimal form of interventions. The preservation of the author’s distinctive language was in tension with the intention to stabilise the Slovak language by normalising the linguistic character of published texts after the Hodža-Hattala reform. However, J. Viktorin also based his interventions on whether the element in question was important from the formal verse structure.

3

Authors: Tünde Lengyelová

Glory to the noble VII. Word of the good doctor spreads fast

5

Authors: Martin Makara

Dominik Tatarka

6

Authors: Tomáš Horváth

Jan Tlustý: Too loud an emptiness

13

Authors: Štefania Vyskočová

Ladislav Grosman wrote his fiction in Czech, not in Slovak mother tongue. The study presents language particularities of Grosman´s fiction. I summarize the possible reasons for his exophonic writing in Czech. His fiction is the authentic example of Slovak-Czech bilingualism in literature, a specific example of exophony. The author´s Czech is unique in the phonological, lexical, morphological and syntactical impact of the maternal language – Slovak. Another particularity of the language is using Jewish expressions with the following sentence explanation, and retention of Zemplin dialect lexemes. These aspects represent the multicultural phenomenon of Grosman´s work. Multiculturality is evident within the thematization of immigration. Grosman focuses on the subjective feeling of newcomers to the State of Israel, the perception of the Yom Kippur conflict, the generation gap within the Jewish community, and differences between domestic and immigrant Jews. The study represents the first attempt to map the linguistical specifics of Grosman's language. It is also an important contribution to the issue of exophony in the Slovak literature context, which has not been studied systematically yet.

18

Authors: Jaroslav Šrank

The contribution deals with the typewritten concrete poetry of the intermedia artist Milan Adamčiak (1946 – 2017), which was created in the second half of the 1960s. It focuses on two characteristic forms of concrete poetry: verbal and sentence constellations. It observes how the principle of seriality is applied to these text-image compositions. Seriality, as a key compositional and meaning-generating principle, is particularly associated with repetition and variation. In the context of verbal constellations, the article emphasizes the function of visual composition in dealing with a word extracted from linguistic syntax. In sentence constellations, it concentrates on the metacritical function of these forms, specified in the form of a critique of language as a means of communication and an instrument of power. Adamčiak’s repetitive-variation manipulation of linguistic material represents the application of visual techniques to literary creation. The contribution also points out the intermedia character of Adamčiak’s concrete poetry, highlights its parallels and connections with Czech experimental poetry, and selectively considers the socio-political circumstances of the time.