Matters of the ornamental design development in Kazakhstan are analyzed in the article. Experience, challenges and opportunities for further ornamental design development in the country are considered.
The author examines the history of emergence and development of font graphics of magazine covers of the late XIX – early XX century. The author analyzed specific compositional, stylistic and technical visualization means.
The art of the artist is not a product to be exhibited on a street stall. It is not displayed just to attract more admirers and buyers, who would “competently” argue about the level of skill used to produce a painting. The hand-skill per se does not create art, but rather profanes it, and cannot therefore constitute its qualifier. It is the strong and provocative personality of the artist, the interfering and inductive dialogue of his paintings, as well as the dazzling assertiveness of his spiritual and aesthetic message, that create art.
The author considers the problems and conditions for the creation of semantic image of the modern large city on the example of Almaty. In addition, main mythologemes forming the shape of the city are determined.
The National artistic traditions of the Kazakh color are the cultural heritage. They serve as the source of creative palette of painters’ art and modern design projects. The Kazakhs’ color knowledge accumulation is a constant process reflecting the continuity of traditional arts and its adaptation to modern conditions.
The author considers modern glamour and its manifestations in the fashion world. The author considers the impact of glamour on human life. The «glamorous photography» as a way of distribution of glamour in fashion is analyzed. The author has determined grounds the glamour gained its relevance in fashion on.
In this article authors consider examination of motives closely connected with educational activity of pupils. Originality of development at the school period is in the fact that the pupil needs to show activity in education to reach a certain social status. Work of the psychologist with parents, promotion of psychological knowledge among the parents with children with the general underdevelopment of speech.
The article deals with the question of manifestation of assembling as the manipulative, technicist image folding technology, and reflection of its features in the mentality of inhabitants of Transbaikalia. The author substantiates the dependence of the assembling technology of information organization in a visual fine art on specific contact mentality of Transbaikalians.