Türük Uluslararası Dil, Edebiyat ve Halkbilimi Araştırmaları Dergisi

37-52

Authors: Nedim Bakırcı

Mythology is the science of symbols. There is a secret treasure behind every mythological words. There are lots of mythological words in folk narrations. Folk narrations are rich treasures that reflect the thoughts, emotions and all features of the people they belong to. The roots of these treasures are based on the beliefs formed long time ago. These beliefs have been able to survive in the narrations to date, living in the memory of folks. However, some mythical elements living in the narrations have been above water and some of them are in the shape of symbol. It is no doubht that tales are the narrations where many mythological elements can be found. In this paper, mythological factors in the texts of the book “Masallar” are detected and interpreted. Key Words: Mythology, Tale, Eflatun Cem Güney.

118-138

Authors: Vüsale Musalı

There has been an indestructible relationship and two-sided effect between Turkish and Azerbaijani literatures from Medieval Ages until today. Effect between individuals who live different eras and create literary examples, are investigated from different perspectives by comparative literature researchers. It is why Azerbaijani tazkiras were not analyzed systematically; the tazkiras which were written by Azerbaijani and Ottoman writers were not regarded comparatively. We can see just one example which is belong to Assistant Professor Ö.Bayram. In related part of his PhD Dissertation, he compares from some aspects Seyyid Azim Shirvani’s tazkira with Ottoman tazkiras. Literary relations, two-sided effects and differences between Ottoman and Azerbaijani literatures were not the research issue very well according to comparative literature. Firstly, Azerbaijani tazkiras was worked comprehensively by myself and printed as monograph namely “The History of Azerbaijani Tazkiras”. After than we can see the comparative studies between Azerbaijani and Ottoman tazkiras which were birth and grown from 16-th century. The comparison between Ottoman and Azerbaijani tazkiras is regarded in 5 subtitles in the article. Azerbaijani writers of Tazkiras wrote 46 and Ottoman writers wrote 32 tazkiras. In Azerbaijani field, we can see the layer (tabaka), alphabetic, geographic and chronologic principles. On the other hand, Ottoman tazkira writers were used just layer and alphabetic principles. Firstly, Ottoman writer Ashiq Chelebi putted poets in order based on “abjad” letters. Gufti who is the writer of 17-th century was famous with the only tazkira written in verse. Mass of the tazkiras was written in Persian by Azerbaijani authors. But in Ottoman field, tazkiras were written only in Turkish. Ottoman tazkiras are important sources of Azerbaijani literature, just because they include information about more than 60 Azerbaijani poets. Key words: Azerbaijan, Ottoman, tazkira, comparison, similarity, difference

161-170

Authors: Ertuğrul Karakuş

Yahya Kemal Beyatli was born in Skopje and is a poet whose character and world view was shaped in a spiritual atmosphere. The most important factor in developing his character, as he mentions in his memories, is his mother Nakiye Hanim. Having suffered too much, Nakiye Hanim died in 1897 in her early ages and was buried in the compound of Isa Bey Mosque in Skopje. Her tombstone disappeared in 1960s with an unknown reason and way and the original tombstone hadn’t been found despite some actions taken. In March 2014, with the initiative of turcologists who are in duty in Macedonia, a new tombstone was prepared and put in the graveyard so that her grave place is not forgotten. At the backyard of Isa Bey Mosque, a tombstone thrown randomly in the bunch of other stones was noticed. It was a tombstone of a woman. The upper and lower parts of the tombstone were damaged. Although the date and the name of the tombstone are not visible, the other written data has strong evidence that it is the tombstone of Nakiye Hanim. Keywords: Yahya Kemal, Nâkıye Hanim, Skopje

197-218

Authors: Reshide Adzhumerova & Ayşe Aydın

In this Work, the folk songs which are song in Crimea-Tatar Turkish and have different dialect specialities, were evaluated according to marked phonetics specialties and then we tried to produce dialect differences. The folk songs called with “halk yırı” in Crimea-Tatar Turkish. The folk songs are one of the oldest and most wide spread type field of the Cirimea Turkish oral literature . According to Crimea-Tatar folk songs, Crimea-Tatar Turkish distinct sound of the main differences between the three dialects of the region, places of mouth influence each other is discussed and the influence of Turkish Oguz. 16 South mouth, 11 Central Pathway mouth, 10 North mouth , including of the total 37 folk songs of have been classified in a way that represents the phonetic characteristics of the mouth . Kipchak group of Turkish “Crimea-Tatar dialect”, particularly in the area of South dialect were studied to determine the traces of Turkish Oguz, so We taked in hand Marks of Oğuz Turkish that are on Crimea dialects. Keywords:The folk song, Crimea-Tatar Turkish, sound event, sound changing, Oğuz Turkish.

242-265

Authors: Osman Özer

Terekeme Turks are a national treasury in terms of folk culture. Their treasuries of language and culture need to be identified to make a comparison between such huge set of materials and the cultures of other Turkish folks. Lands within the Kars, Tbilisi, Baku triangle and the surrounding area are the natural homelands of the Terekemes. They migrated from Georgia and Kars to Muş-Bulanık between 1926-1932 and settled there. Terekemes speak an idiosyncratic dialect of Turkish. In fact, this dialect has seemingly undergone assimilation and merged into the dialects of East Anatolia. Interactions between the significant phonological and morphological features found in the dialects of Terekemes living in Turkey and those of the regional dialects were evaluated in this study. Distinctive phonological and morphological features identified in the dialects of Terekemes living in Muş have been specified. Key words: Dialect, dialects of Turkey Turkish, dialect of Muş-Terekemes

287-295

Authors: Ali Osman Yalkın

Period that covers late 16th century and first decades of 18th century of Ottoman Turkish Period, continuing Old Anatolian Turkish Period in very early times, is a transition period between Old Anatolian Turkish and Turkey Turkish. In Classic Ottoman Turkish Period, which lasted from 16th century to mid-19th century, the linguistic extremism with Arabic and Persian components entering in the language in 16th, 17th, and 18th century reached to its peak. Text studies related with this period falls far behind the studies in relation with Old Anatolian Turkish Period. Thus, in this study, the book titled Tafśįl-i Ŧarįķ-i Muķarrebįn ve Sebįli’l-MüttebiǾįn by ǾAbdu’r-raĥmān-i Đarįr, written in 1156 / 1743, and registered in National Library Manuscripts Collection 06 Mil Yz A 8891, is introduced. This book, written in mid-18th century for preaching religious issues to people, belongs to the transition period between Old Anatolian Turkish and Turkey Turkish. Style of the book is rather simple compared to its contemporaries. The book is also significant for reflecting the linguistic features of its time. Key Words: ‘Abdu’r-rahmân-i Darîr, ‘Abdu’r-rahmâni’d-Darîr, Tafsîl-i Tarîk-i Mukarrebîn ve Sebîli’l-Müttebi‘în, XVIII Century, Classical Ottoman Turkish

308-321

Authors: Bünyamin Çeri

Join leading novelist of Turkish literature, Mustafa Necati Sepetçioğlu'nun mansions novel penned in 1974, is the subject of the Ottoman Empire Establishment Era. The main characters of the novel the Auburn grandfather, came to Anatolia from Yesica would build a mansion, the establishment of the Ottoman Empire, these hosts are described matched discloses. The book consists of four sections, Auburn grandfather starts with Yesica leaving to go to Konya. This division, Rahman, one of the novel's main characters was bring out the foreground. Father looking for Rahman, Auburn Dede would comrades. The other main characters of the novel Osman Bey makes the accounts to be permanent in Anatolia. Kay took over from his father Ertuğrul Gazi make the tribal government is her greatest dream. The Byzantine struggle to achieve this ideal throughout the novel with the senior. Sepetçioğlu'nun mansion that included a lot of indoor and outdoor spaces enclosed spaces in the novel comes to the fore. The most striking and remarkable indoor space is the Auburn grandfather's mansion. Acting on the events in the novel, and the novel in which direction the events in this article that attempted to examine the spaces with symbolic value; The symbolic value of space and place emphasis on the evaluation be done in space was tried to the events. Key words: Mustafa Necati Sepetcioglu, Establishment, Space, Historical Fiction, Space Element