Revista Académica Estesis

17

Authors: Gustavo Adolfo Zapata Ospina

This article seeks to find the place the body in Western twentieth century dance through the approaches of canonical figures in the history of the discipline. For this purpose, it offers a tour of François Delsarte that culminates in Pina Bausch and where you see how each choreographer of the time was reformulating the visions of body that inherited. The article concludes that the authors (dancer-choreographers) are the construct of a changing century that leaves the body as creator not only of techniques that enable today understand the language, but as a vehicle of creation itself

49

Authors: Yoni Alexánder Osorio

Current academic worries are not just interested in scientific subjects. They also allow thinking about matters related with humans and the way they construct realities based on cultural, anthropological and esthetic symbolic issues. From this point of view, the article pretends contributing to a reflection about the city and those representative symbols implicated in human realities; it pretends to see the city walls as a skin that has scars, narrates stories and saves the memories of its unofficial history, especially things about women that are excluded from the social speech. So, we can see the city walls as a mirror that reflects all the elements that took them (women) to the social exclusion. This view at the city’s skin finally ends with a construction based on five walls located in Envigado that inspired five marginalized women stories. These stories turned into a song that tells about their own aesthetic manifestations. All this matter is supported by the writings of several authors who, from literature, sociology, anthropology and philosophy, give the theoretical acknowledgment to this kind of work.

79

Authors: Leonidas Álvarez Echeverri

This article is proposed display the Technology School of Arts Debora Arango as a legacy to future generations, impellers milestones of education, the development of art and expression of culture; Mark reasons, justifications and recognition to the person, the artist, the work and the struggle of who lent her name to the institution and it is today concerning future generations are the purposes of this article to propose that the slogan “We are all Debora “ is a real builder of the deborianos values.

105

Authors: Catalina Rojas Casallas

The article presents the experience developed during the project Ex situ / in situ prácticas Artísticas en Comunidad, held in the commune 4 of Medellin, and coordinated by the team work of the Cultural Development Center Moravia. Castillo Soñado is an artistic proposal that allows debate and publicize the links of patrimonial activation made permanently by artistic practices. The experience was expanded considering the participation of women leaders from the neighborhood, their symbolic capital that comes to define dynamic social and political power within the neighborhood, generated this with the pretext to remember and bring the relevant objects present in the lives of those women.