Revista Araticum

1-9

Authors: Adélcio de Sousa Cruz

Think contemporary literature has been a major challenge. How come? Each past period has also been the challenge for literary criticism in that moment ... Two collections, one of short stories and other due to poetry, published in the 1970s, served as a milestone in what was called contemporary Brazilian literature and they were organized by Alfredo Bosi and Heloísa Buarque de Hollanda. From that decade to the present, the literature has shown signs of vitality and plurality concerning aesthetic and marketing choices. Yes, aesthetics and market are also flirting and sometimes they operate hand in hand. Side by side the free dissemination done digitally, literary works in book form must be marketed ... In addition to the market in the artistic and literary production of the act itself, writers are seeking aspects that most represent them, and, the criticism has been occasionally surprised by the impossibility as we should call it, a more satisfying classification. Still, we hope to contribute pointing shafts likely path to this exploratory journey: the new "marginal literature"; the so-called "new generation" (names that represented Brazil in international literary fairs and have dawned on national literary competitions)and another who belongs to the literary canon and the "high culture". It is also worth noting a fourth way in which women's literature, gay, African-Brazilian and indigenous are contemplated. It is important to note that all trends, to a greater or lesser extent, also dialogue with other arts and media. The search for new criticism glance is precisely made just in the crossing act of analyzes such literary strands.

20-34

Authors: Felícia Johansson

This article aims to examine the concepts of theater game and improvisation in the light of J. Lecoq’s pedagogy and H.G. Gadamer’s philosophy. The starting point for this examination is “Pirlimpsiquice” a short story written by Guimarães Rosa. In this story, a group of students rehearse a play to be presented at a school festivity. However, at the day of the performance, the main character forgets his part and the group ends up improvising another play, with an entirely different story, through a process of theatrical improvisation.

54-66

Authors: Jean Pierre Chauvin

In Grande Sertão: Veredas, Riobaldo spreads a combination between gunmen’s espontaneity and artifice which are in constant struggles in search for love, power and peace. The purpose of this work it’s to demonstrate that Zé Bebelo’s judgment is as a key-episode in this novel: a starting point for a quarrels concerning some procedures inlaid the narrator’s story.