Griot : Revista de Filosofia

1-19

Authors: Renato Noguera

Starting from ideia’s Deleuze that philosophy is to create to concepts, this article aims to present the afroperspective philosophy, creating concepts to articulate teaching philosophy an education in race relations. The concept of blacken of works to problematize the birthy of philosophy in search of a new choreography for the thought.

44-59

Authors: Evelyn G. Petersen de Barros

This article aims to discuss the musical conception proposed by German philosopher Friedrich Schelling in his work ‘Philosophy of Art’, which conceives music as a real potency (Potenz) of Absolute. Therefore, we intent to underlie the peculiar and original aspects of Schelling’s ideas as they are demonstrated by his philosophical system of identities, in contrast with the romantic notion of absolute music.

74-83

Authors: Carlos Alvim; Elemar Kleber Favreto

From an analysis of the relationship between knowledge and the concept of body, this paper examines the path that began with the philosopher who scored modernity, René Descartes. Given the perspective of reflecting on the considerable changes that have occurred in the design of this philosopher from what he understood by the body,seek the reality of the artificial intelligence methods to explain the new perspective of man. Scientific advances and technological tools to produce increasingly expand the human senses, in addition to artificial intelligence may also yield to man a new conception of mind and consciousness.

96-104

Authors: Jean Rodrigues Siqueira

The dialogue Phaedrus presents a hard problem of interpretation to Plato’s readers: how to unite the two main themes discussed in the text – love and the art of discourses. In a recent work, the italian scholar Franco Trabattoni proposes the idea that Plato unites the themes of love and art of discourse through a thesis about the nature of philosophical thought and discourse. This thesis, says Trabattoni, implies the recognition of philosophical knowledge limitation in its pretension to access the truth. In this article it’ll be argued that Trabattoni’s interpretation, by omitting important aspects of Plato’s text, is inadequate.

11-21

Authors: Artur Bispo dos Santos Neto

The current paper has as corollary to investigate the constitutive genesis of the "originary phenomenon". For that, from the consideration of nature while fundamental topos for elucidation of Goethe aesthetic architectonic . Unusually, the moving force of the goethian theoretical building bears the singular condition gauged to the phenomenal world. It is through the mediation of inventoried reflexions at investigation of nature that Goethe can clarify the movement of traffic in the phenomenal world to the world of abstractions which accomplishes the universe of science and art. Through the description of the "originary phenomenon" category, while category which finds its specific identity in the lukacsian category of particularity, it is possible to enter itself in the anthropomorphizer realm of aesthetics.

44-49

Authors: Jean D. Soares

This paper deals with two authors that offer important contributions to their respective fields. However, they mat be approached by something more. We intent to show possible relation between the Philosophy of Science developed by Thomas S. Kuhn and the Philosophy of Language by Ludwig Wittgenstein. Our first step consists in presenting briefly the concepts of the Wittgenstein’s Philosophy and his biographic informations that is relevant to understand his work, and doing the same thing by Kuhn’s work (restricted it the period which goes until 1969, when, officially he reviewed some concepts of The Structure of Scientific Revolutions). Finally, given precedent conditions, we will present approximations between these two authors, which is the main goal of our study

63-78

Authors: Gabriel Guedes Rossatti

Between the months of November of 1833 and August of 1834 was first published in installments Thomas Carlyle’s Bildungsroman Sartor Resartus. Indeed, deeply influenced by the german romantic movement, and more particularly by Goethe, with whom he corresponded, such romance was Carlyle’s first mature attempt to draw british readers to the task of subjective upbuilding (Bildung) as understood by the former. In this sense, the present article seeks to elucidate Carlyle’s conception of self-knowledge or self-composition, as well as its counterpart, that is, the ideology of modernity, for Sartor Resartus was polemically devised as an answer to such ideology. Thus, we shall argue that Sartor Resartus can be seen as a decisively existentialist piece of writing, once it has as one of its main themes precisely the human existence.

94-108

Authors: Marcos da Silva e Silva

The dissertação has for subject the concept of Pathos in the philosophy of Kierkegaard. The importance of the passion (pathos) for the Absolute one related to the suffering (pathos) in the different ways of existence standes out: aesthetic, ethical and religious. The suffering, lived in depth, is understood by the Danish as condition necessary so that the man if becomes a “individual” and can, thus, to become related it the “Entirely Other”.