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Hermeneutic Analysis of a Psychotherapist’s Representation in Russian Film Series
Authors: Galina Mikhaleva
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The focus of this study is the analysis of psychotherapists’ representation in films. The material is two most recent Russian film series featuring a psychotherapist as the main character – Trigger (Russia, 2018) and Psycho (Russia, 2020). The dominant representations include non-observance of the ethical principles of the psychotherapist’s work, the use of risky methods of work and a constant psycho-emotional stress, anxiety and fear, which can form the image of a psychotherapist as a person who himself desperately needs the help of a specialist to solve his/her own psychological problems.
After watching film representations of the psychotherapists’ practice, and the social roles expected of them, several roles or categories, can be identified. The generalized film image of a psychotherapist in contemporary Russian cinema can be characterised as follows:
1. He is the antipode of the traditional image of the psychotherapist who deliberately and outrageously violates the established rules and ethics codes; moreover, he prefers to use his own innovative method of treatment or therapy which is based on provocation and manipulation.
2. He is presented ambivalently, although his behaviour is outwardly negative, his motives and goals are positive, for despite acting as a manipulator, provocateur, and a violator of ethics principles, he is genuinely devoted to his profession and is a decent personality.
3. He is a dynamic image, in some aspects resembling a detective whose life is dangerous and full of risk and adventure, associated with solving riddles. In a way this image may popularize the profession of psychologist, especially it may seem rather attractive to a youth audience, since the protagonist is young, creative, smart and daring, his actions are unpredictable and unconventional, he is a man of character and very purposeful, possesses leadership qualities.
4. The dominant mental and emotional disorders that the psychotherapist has to deal with in Russian films can be identified as mainly individual, marital and family psychotherapy and counselling: the generation gap, childhood traumas, addictions, manipulations or abuses, grief and depression, eating disorders, etc.
5. The psychotherapist himself needs professional psychological support and supervision since he suffers from a serious psychological trauma. Besides he is constantly in a conflict situation, external or internal, personal and professional. He is obviously a dramatic image, for all his professional success, he is not able to solve his own problems in interpersonal relationships with his close people; sometimes he exhibits sociopathic inclinations.
6. The image leaves a contradictory impression on the viewer, though his methods of treatment may seem to some audiences quite unacceptable or even dangerous for both the psychologist and the patient, still, they turn out to be effective in the long run according to the film.
7. Such film image may discredit the psychology-related professions in the eyes of the audience since it allows the psychologist to violate the key ethics principles and professional standards of conduct for the counselling professions such as privacy and confidentiality, human relations (avoiding sexual harassment, physical or mental harm).