GISAP: Culturology, Sports and Art History

3-5

Authors: Michail Treschalin

The author performs the analysis of historical materials, myths and legends of frequency of global disasters. Hypotheses and predictions related to «the end of the world» are presented.

10-13

Authors: Michail Treschalin

The author analyzes the chronology of catastrophic events on Earth. The substantiation, calculation and methods of forecasting of natural disasters are presented.

18-20

Authors: Sabina Ayazbekova

The article is devoted to historical and theoretical reflection of the role of cultural heritage in the ethnic world-outlook on the example of Chinese gardens tradition development in England.

25-27

Authors: Egish Davtyan, Khachatur Sanosyan, Rafik Martirosyan, Samvel Kakoyan, Samvel Meghrabyan

The authors compiled and analyzed dissertations (abstracts) devoted to matters of physical culture and sports presented to protection. The work allowed performing quantitative and qualitative analysis of theses written in the USSR and the Republic of Armenia; identifying positive and negative trends of presented works. Authors offer a model of the analysis system for transformation of information stored in dissertations, into teaching and methodical materials of the branch under study.

31-32

Authors: Assya Zhaungarova

Clothing of ancient nomads has been presented by museum pieces in our country up to the present time. It got old because cloth, fur, leather are poorly preserved and may disappear at all. In the article the author suggests direction of work on possible rebuilding and reconstruction of clothing and headgear of ancient nomads.

39-42

Authors: Toizhan Yeginbayeva

The article is devoted to the study of origins of ethnic Kazakh cello music and its genetic relationship with the traditional art of the Kazakhs. Its emergence and development is directly related to the process of interaction between Eastern and Western cultures represented in this case by cultures of Kazakhstan and Russia. Modern fund of cello literature of Kazakh composers includes works of various genres, from simple minor pieces to extended, multi-part, structurally comprehensive compositions, in which elements of Kazakh folklore interact with European composer techniques. In their compositions composers set quite a difficult task to performers. These are unusual (from the point of view of «classical techniques») performing techniques, search for new image areas, performing concept, building of the intonation form in connection with national origins of these works. The author makes an attempt to identify common patterns of development of cello music on the example of modern miniatures by the Kazakh composer Bakhtiar Amanzholov.