Vestnik KemGUKI

18-23

Authors: Makarchuk S. V

We studied the reflection of the status and activities of political underground Siberia in the early twentieth century in the archival documents of the Volga-Vyatka region in the value of funds of the courts of gendarmerie, special collections for complex research of the Siberian political underground. The historical documents are introduced into scientific circulation for the first time. Comprehensive study of the socio-political processes in Siberia requires from researchers to access documentary material of non-siberian regions. This allows you to identify the relationships with various organizations in Siberian territories of the country, as well as to establish that historical facts do not reflect one reason or another in the Siberian archives of documentation. Distant from Siberian regions archives, adjacent to the Urals and Volga, are of particular interest in this respect. We have already attempted to show the importance of materials for the study of the archives of the Ural Siberian political underground. Many of the documents stored in the archives of Volga region. Court documents are important for the study of the underground revolutionary movement. The trials against Siberians in Omsk and Irkutsk district court chambers and Tobolsk Province together with Tobolsk district court and Kazan court of justice were included in the period under study. The Central State Archive of historical and political documents of the Republic of Tatarstan (RT CSA IPD) stored Fund 51 from Kazan court of justice, where the materials are presented not only in the province of Tobolsk, but also in other regions of Siberia and the Far East. Here you can find documents related the Siberian political underground in the Urals and Volga region, including Volga-Vyatka region. Keywords: Siberia, Volga-Vyatka region, Volga region, courts, gendarmerie management, archival collections, political underground, socialist revolutionaries, social democrats.

29-38

Authors: Alekseeva L. S., Olenich L. V.

Revival of the Russian Orthodox Church revived the activity of study and preservation of spiritual and cultural values of Orthodoxy when dioceses, churches and monasteries reopened church museums. Network expands with ecclesiastical museums in Western Siberia. Kuznetsk Land Orthodox Church History Museum is among them. The current situation puts all the museums to be more actively involved in the solution of socio-cultural issues in their regions. Incorporating into dioceses’ missionary work, museums rely on pre-revolutionary spiritual heritage. The example of Kuznetsk Land Orthodox Church History Museum presented typological research activities museums of South-Western Siberia. In this paper, on the example of the fund collection, the diocesan museum presents art and cultural analysis of the 17th century icon “The Nativity of the Virgin” and works relating to the New Era “The Assumption of the Virgin” and bilateral banners of nuns of Dionysia. To summarize, the authors come to the conclusion that systematic research of the diocesan museum allows you to explore the tradition of icon painting, including iconographic features of folk icon. Keywords: church museum, exhibition, research and development activities of the museum, beauty, canon, folk icon, tradition, luxury.

46-51

Authors: Kara-ool C. A.

The problem of studying the functional directivity of children’s of musical folklore, that reflects moral precepts of the people, its national traits, in light of the revival of interest in ethnic and cultural heritage values, is in demand in the modern humanities. This genre of folk art of the Tuvinian population was determined by the child’s age, his needs, compliance with mental and physical capacity, and was of great importance as performing the important functions on the upbringing and development of children, as closely linked to aspects such as music, art text, game, and features labor and economic activity. It should be noted that the materials relating to the children’s musical folklore of the Tuvinian population, are fragmentary and unsystematic. So, some information is contained in a series of V. P. Deacon’s articles “Childhood in Traditional Tuvan Culture and Telengits”, in which there are references to the child’s play, poteshki and pestushko [4, s. 165]. We also relied on the works of scientist, ethnomusicologist, folklorist A. N. Aksenov (studied the culture of Tuvin population in the 1940s), where are samples of of traditional tunes of Tuvin lullabies recorded in Kyzyl with the votes of the writer S. Saryg-ool and dramatist V. Kok-ool. This works were used as their own field materials collected in districts of the Republic of Tuva. In addition, we relied on the proposed by ethnopedagogic and ethnopsychologic researchers G. N. Volkov, K. B. Salchak, A. S. Schaaly and ethnographer Sund G. D, the following age periods that are existed in the traditional Tuvin culture of lullabies (kavaylyg uezi) infancy (uezi bowls), and childhood (bichii uezi) [3, s. 73; 8, s. 63]. Thus, the purpose of this article is the structurally semantic analysis of the small genre of Tuvin children’s folk music. From the foregoing, we have the following tasks: - to reveal the function of Tuvin children’s folk music by genre features; - reconstruct the small genres of children’s folk music, use field of folklore-ethnographical materials of informants Uliana Sandy Khuurak and Sayan Kara-ool. Keywords: functions, children’s musical folklore, genre featured, pestushki, poteshki, zaklichki, teaser.

62-66

Authors: Astakhov O. Yu., Shikaleva I. A.

To date, the problem of self-determination of Culturology as an independent science remains relevant, due to the multiplicity of approaches to the definition of culture. The problem of determining the specificity of cultural life and the methods of its study highlights American anthropologist Leslie White; he argued for the approval of Culturology as a new science in connection with the presence of a single class of phenomena, which is impossible by means of the existing scientific analysis. According to the researcher, culture acts as the conditions and causes of social development. Thus, the communication with anthropocentric conception of man’s power over culture can be overridden. The result is contradictory to cultural generalizations related, on the one hand, with a commitment to the American anthropologist classical ideal of rationality, which methodology involves the use of determinism, and on the other hand, with non-classical interpretation of culture in the context of the idea of free events, making it impossible to study the culture on the basis of the causal approach by highlighting the common regularities in its development. Keywords: culture, culturology, methodology, theory of evolution, determinism, anthropocentrism.

75-81

Authors: Radziyevskiy V. А.

Analyzing the role and the significance of the Orthodox tradition in the period of Kievan Rus and Soviet Ukraine in the cultural space of Ukraine. The problem became actual due to the change in mental paradigm, social transformation and socio-cultural changes in post-Soviet Ukraine. Keywords: culture, spirituality, Kievan Rus, Soviet Ukraine, orthodoxy, culturology, history, the cultural space of Ukraine.

88-91

Authors: Tkachenko L. A.

This paper considers the activities of youth creative group “Poor Liza”, created in the Kuzbass in late 1980s, reveals similarities in the creative process of major early twentieth century metropolitan associations “Jack of Diamonds” and “Union of Youth” and a small regional group of the late twentieth century. A number of similar phenomena: the development of modern trends in art; bright individual style of the group members; aspirations of young artists to create their creative style. The search for modern plastic solutions for some artists members of the group appear in the image of man or nature objectively, almost without any significant changes and deformations. For other artists characteristic images undergoing significant changes: the objects of reality deformed parts transformed lose usual stability. For many artists peculiar deliberate primitivism. The group members were recognized, became members of the Union of Artists of Russia. Currently, work productively and actively participate in the artistic and social life of Kemerovo region. Keywords: contemporary art, creative association, contemporary currents, unconventional approach, individual creative style, realism, primitivism.

97-106

Authors: Voitkevich S. G.

In June 2008, opera “The Karamazov Brothers”, by Aleksander Smelkov, was performed at The White Nights Festival. The critics and audience’s response were contradictory. The author was particularly reproached for “absence of originality” and some classical themes used in the opera. In particular, “the joy theme” from the Ninth Symphony by Ludwig van Beethoven was cited. Though the theme was not introduced by chance but well justified. F. M. Dostoyevsky’s works are entwined with Schiller’s motifs, and they are especially clearly heard in his last novel. The article parallels Schiller’s influence on the works and outlook of Beethoven and Dostoyevsky, whose similarity and specific features are distinguished. Some distinctive characteristics of ‘the joy theme’ are considered in the continuum of a modern composer’s opera. The theme is found out to be performed seven times in separate half-phrases. The second one is heard “surrounded” with two other most important theme of the opera representing the image spheres of Mitya and the childhood. Therefore “the joy theme” is connected with the main idea of both the novel and the opera, the Christian idea of other people’s sins atonement and self-sacrifice for others’ sake: “I’ll do it for the child!” It is interesting to mention that in the second statement the element of the joy theme is so greatly modified that the intonations of Dies irae can be heard in it. Here the prospective change of the theme from the sphere of joy into the image of Doomsday can be seen. The initial element of Beethoven’s theme is exposed in connection with the image of F. P. Karamazov and represented in a grotesque and distorted way. Then, in No. 23 it is presented without any variations, in the scene of Ivan Karamazov and the Devil. The same number cites the instrumental movement of the Beethoven’s Ninth Symphony finale. Preserving the principle of the musical source St. Petersburg composer changes its meaning, as the cellos’ phrases interchange with those by the Devil exposing the worthless and Utopian idea of universal brotherhood and joy accomplished by force of reason. In the opera finale both phrases of ‘the joy theme’ are as if dissolved in the general movement forms and lose their original meaning completely. Such change of the classical theme reflects the 21st century composer’s view, as he painfully admits that even many centuries later the nation giving the Saviour to the hangmen or sentencing the guiltless to hard labour will crave for bread and wonders only, unable to appreciate the divine gift of freedom and spiritual unity given by Christ. But in the final scene of “The Karamazov Brothers”, the Grand Inquisitor lets the Incomer go, which can be seen as Aleksander Smelkov’s hope that mankind will be saved. Keywords: A. P. Smelkov, F. M. Dostoevsky, “The Karamazov Brothers”, opera, theme to joy, Mariinsky theatre.

110-115

Authors: Usanova A. L.

The context of research is based on intrinsic property of an event row having evolutionary or revolutionary nature of influence on formation of a city inhabited interior. The event succesion of the first half of the 20th century defining features of a city inhabited interior formation on character is subdivided into evolutionary processes of the beginning of the century and revolutionary changes of the 1920s – early 1930s years connected with creation of a new socio-economic structure. Evolutionary character of events of a boundary of the19–20th century is caused by counter interclass integration processes in the field of an interior and as a whole domestic household culture. The phenomenon of democratization of a modernist style, “style for rich”, on the one hand, is predetermined by industrial revolution of the second half of the 19th century of an eyelid, on the other hand, active entry of traditional country art into city, craft culture. Revolutionary changes of the 1920s – early 1930s years, are connected with creation of a new socioeconomic structure. In difference from natural interclass, interregional dialectics household, it is art cultural traditions of the boundary of the 19–20th century, the period of the first five-years periods is marked by administrative policy of the new power in housing policy and situation speeding up in the welfare sphere. The special attention in article is paid to value of the compelled urbanization of country people in the 1920s, the first half of the 1930s years. The essence and transformation of concept of a household culture widely adopted in the second half of the 1930s is defined, results and forms of its practical realization in an inhabited interior are analyzed. The questions connected with the beginning of standard housing construction in the 1930s years, and as problems of creation of a new socialist life and socialization of new citizens are considered. Influence of these factors on art household traditions in registration of an inhabited interior and formation of so-called “barracktype” culture is estimated. The conclusion about end in the second half of the 1930s of the interconnected processes: unifications of vital space, formation of a uniform social community “the Soviet people” and forming of model of official art culture is formulated. Further, in the article analysis of value of capital household culture of the military and post-war periods in addition of the provincial city interior which distribution is connected in the beginning with evacuation of industrial productions, theaters, higher education institutions from the central regions of the USSR to the Urals, to Siberia and the republics of Central Asia and subsequently a stream of trophy gifts is carried out. The formulated conclusions allow considering an inhabited interior of the 1930–1950s as diffusion, but at the same time stylistically the integral and recognizable phenomenon. Keywords: housing, communal apartment, hut, interior, urban life, tradition.

124-126

Authors: Araeva L. A., Li S. I.

Frame and propositional analysis of language facts demonstrates that people speaking different languages possess identical cognitive mechanisms of the world perception, discursive by its character, connecting the newly named objects on the basis of previously named ones. This approach applied to the concrete material (name units denoting berries in Russian and Chinese) detects not only universal, but also language- specific propositions underlying the name units denoting berries, which propositions are determined by the cultural concepts and stereotypes characteristic of a particular language community. According to the concept, which received fruitful development within the cognitive approach, based on the semantics of the word is derived conceptual structure that has the form of a proposition. Derivative reflects the propositional structure verbally objectifies the mental structure and reflects the ties that set people between the phenomena of the world in the process of cognition. Studying of propositional structures and word-building models of scientific interest not only as a tool of interpretation ready derived words, but also as a mechanism for the generation of new ideas based on existing schemes. Linguistic forms have the status of constructs that take on reality due to the fact that there are rules of their generation. Material of our analysis is the name of berries in Chinese and Russian, built using the same basic model for each language. As a result of analysis, it became clear in the Russian language is practically the same motivational signs that in Chinese. It is also obvious that the community is evident not only in the fact that in each of the languages considered there is one basic (productive) model, but, first of all, that in two typologically different languages operates a similar set of propositional-frame model. Keywords: proposition, frame, motivational attitude, cultural concept.

137-144

Authors: Proskurina E. N.

When interviewed about his work at the screenplay for Alexander Sokurov’s “Faust” (2011), Yuri Arabov confessed that his text had a little correspondence to the tragedy by Goethe but was “directly related to the present days since evil in history significantly changes its forms and motivations keeping invariably its deceitful and cruel core”. It remains unclear from the interview what works of literature his script converses with. Arabov just mentions a parody pattern of a number of his poetical fragments with respect to Boris Pasternak’s translation of “Faust” by Goethe. In the process of comparative analysis, many intertextual echoes are detected between the screenplay and the novel “Happy Moscow” by A. Platonov (1932–1936). These concern both the plot situations and the motif system: the Faust’s study scene opening the film is a periphrasis of the dissecting room episode in Platonov’s novel. Both episodes are driven by the motif of investigating a mysterious substance – the soul. Besides, there are a few more episodes in the screenplay sounding like variations of Platonov’s text. The allusive aspect of Sokurov’s “Faust” is intensified by the motives of rubbish, stench, wrath correlating to the motives of dirtiness, scream in “Happy Moscow”. These and other elements of Sokurov’s cinematographic poetic manner give reason to see “Happy Moscow” as a pretext of Arabov’s screenplay for “Faust”. Arabov was attracted by Platonov’s poetic manner when, still being a student in VGIK, he became the scriptwriter for Sokurov’s film “The Lonely Voice of Man” (1978), based on the motives of “The Potudan River”, “The Innermost Man”, “The Making of a Master Craftsman”. The inversion principle which was the leading one in Platonov’s mature prose is laid in Arabov’s intention in “Faust” to tell a “reversed story on the topic of medieval legends, not how the devil seduces man but how man seduces the devil”. The chain of reverberations between Sokurov’s “Faust” and Platonov’s novel performs a “tuning” function in relation to the antecedent text and accentuates the belonging to Faustian type of the characters preoccupied with the problem of search and destruction of the soul. The dead-ended search for the soul in the screenplay correlates not only with the corresponding attempts of the novel’s characters but with the whole strategy of the novel’s plot of building which reaches a deadlock similar to Faust’s demiurgic “venture” in the tragedy by Goethe. Keywords: novel “Happy Moscow” by A. Platonov, film “Faust” by A. Sokurov, intertextuality, crosscultural dialogue.

154-163

Authors: Krasikov V. I.

The third wave of emigration was unlike the first and the second, because it was associated with people remaining in the USSR. Emigrants and dissidents within the country were one community with a common field of intellectual attention and were associated with multiple communications channels. We can describe the world of dissidents as follows. The human rights movement or a small group of people concentrated in Moscow was its center. Activists of a variety of social movements: ethnic, religious, socio-political and cultural were associated with this group. Dissident movement in the Soviet Union begins in the 1950s – early 1960s. Together dissidents denounced the evils of the Soviet system, but they began to argue about the ways of healing the country. Debaters have developed three ideologies that underpin the opposition. There were three groups namely “authentic Marxists”, “orthodox nationalists” and “liberals”. The first direction believed that the regime perverted Marxist-Leninist ideology and for the improvement the society needs to return to basics of Marx and Lenin. The author examines the views of immigrants P. Abovin-Egides and V. Turchin as an example of this position. The second direction intended to rebuild Russia in accordance with Christian values and Slavophil principles. Literary and journalistic activities of Solzhenitsyn is the most vivid expression of this attitude. Liberals wanted a transition to a democratic society of the Western type. Here we can see the greatest number of philosophizing figures such as B. Shragin, A. Yesenin-Volpin, B. Chalidze and A. Amalric. The author considers two key debates in exile between liberals and nationalists (1974–1976 and 1983– 1985), which was initiated by Solzhenitsyn. So dissent in the Soviet Union was the breeding ground of the third emigration. Emigration does not lose touch as many of their confederates, friends and relatives lived in the homeland. These lines create the structure of positions, which later became the “road map” of perestroika and the liberal revolution. Keywords: theorists of the third emigration, dissidents, neo-Marxism, Liberals, Nationalists

170-175

Authors: Kalyanov A. V.

Since the decisive causal factor in performance of people is their motivation, in world science it is the connection of studies in Economics with psychology and pedagogy of the object of study which becomes the identity of an individual. Hence the natural interest of the Russian management to organizational culture as a management tool that can provide the appearance of the advantages necessary for successful competition on domestic and foreign markets. As shown by management practices, problems of organizational culture manifested in already existing socio-economic system in 2–3 years of its existence, because the first year is spent on the formation and survival while nobody thinks about culture. If the system is successfully launched, the formation is strengthening the basic principles of its work and the conduct of people. As a rule, this process goes spontaneously, unknowingly, under the influence of many external and internal factors. Organizational culture as if enshrines the past experience and peculiarities of the personality of its founders. Before each economic entity sooner or later the question arises: is culture in development and in the achievement of the planned purposes or obstruct. The answer to this question defines two choices. When the organizational culture is formed in a way that helps in achieving its goals, it is great success, the task of leadership is to maintain and develop this culture. If the organizational culture is more of a hindrance to the effective development that meets much more frequently, occurs more difficult task as you need to change and adjust the organizational culture in accordance with the objectives, priorities, strategy for the efficient formation of a business entity. In this study, the identity of a young specialist is identified with a particular social group, society, culture. It has been established that in most cases, a new worker, as a young specialist, has some difficulties with adaptation in life and organizational and production space of the economic entity, acquiring the knowledge of environment with the norms of morality, law, communication etc., selecting those ideas, values and principles, which correspond to its specific and individual needs. Personality development is characterized actually by manifestations of inner reflections, which bring man beyond the current time, revealing him the timeless meanings and values as life itself, and the significance of this personality in this thread. Keywords: organizational culture, economic entity, a young specialist, socio-cultural space, selfconsciousness.

183-195

Authors: Pilko I. S., Taranenko L. G.

There described the results of scientific publications analysis of Chair of Documentary Communication Technologies’ teaching staff, Kemerovo State University of Culture and Arts, from 1972 to 2013. The author notes the increase of the publications amount from 50 in the first decade of the Chair to 293 in the period of 2004–2013. The types and kinds of teaching staff scientific papers are defined. The author reveals the dynamic of the development of the main scientific activity directions. It is marked that the themes of the science publications in the period of 1972–1983 are connected to the individual scientific interests of the teachers. This period there formed the main scientific directions of the Chair and leaders. The scientific and research activity of the Chair in 1984–1993 is characterized with widening the themes of scientific researches, increasing the amount of publications in professional periodical editions, participation in scientific arrangements of All-Union and republican libraries and higher education establishments of culture and arts. The period of 1994–2003 of the scientific development of the Chair is connected to increasing the amount and detailing the directions of the scientific activity, comprehending the significance and possibilities of the introduction of information and communication technologies into the education process and practice of the library and information activity. The last decade of the Chair history (2004–2013) is characterized by the increasing the scientific rating of teachers, growing the amount of publications included in the Russian Index of Scientific Quotation, appearing of the young scientists educated in ideology of technological approach to library and information activity. Keywords: Kemerovo Scientific Library School, organization of scientific research, faculty, Chair of Documentary Communication Technology, areas of research, scientific publications, library and media services, higher professional education.

203-211

Authors: Merkulova A. Sh., Sakova O. Ya.

Development of cataloguers has been conducted at Kemerovo State University of Culture and Arts since 1969. The course “Library catalogs” has been changed for some years not only according to its name, but also the contents and approaches to its teaching. All that is caused by set of tendencies in development of information and library practice and the higher education in general. Current teaching of the course “Processing the analytic and synthetic information” is based on the technological approach to the library activity developed by N. I. Gendina and I. S. Pilko, and also on the implementation of information technologies. The purposes, objects, technological processes, resources, means, regulations, information products, subjects are provided and characterized in technological model of analytical and synthetic information processing. The analysis of designing bibliographic description, subject analysis, systematization, annotation, summarizing, reviewing allowed to reveal the general approaches to definition of technological activities in each of the called processes. Information products of analytical and synthetic information processing (heading of bibliographic list, the bibliographic description, a subject heading, keywords, a descriptor, a classification index, an annotation, the summary, the review etc.) are logical end of all technological cycle which can be presented as independently, and in the form of bibliographic list. These information products form a basis for information and analytical activity in all areas of modern society. The modern content of the course “Analytical and synthetic information processing” is beyond the frames of documents cataloguing in its traditional understanding and is focused on working out the various information and analytical products. Formation of professional competences within this course is possible with implementation of technological approach which promotes good training of the Bachelor in the field of analytical and synthetic information processing, and the lecturers of Technology of Documentary Communications Chair are very experienced in it. Keywords: Analytical and synthetic information processing, cataloguing, information products, professional competences, information technologies, technological approach.

217-223

Authors: Gendina N. I., Ryabtseva L. N.

Information education is disclosed as a part of the education system, which manifestation is due to formation and development of information society. Based on the analysis of microflow of theses, monographs and articles on information education, the conclusion, that the definition of this concept is still missing, was made. The definition of “information education” is offered. Information Education is a part of the education system, the appearance of which is due to the phenomenon of “information explosion” and “information crisis”, the global nature of information society, introduction of information and communication technologies in all spheres of human life, formation and development of information society. The two types of information education are outlined: general and special (professional). General information education is information education oriented to all the members of society, except those working in the field of professional information activities. Special (professional) education information is information education oriented to staff training to support the activity of information sector of the economy, including the search, collection, processing, analysis and synthesis, creation, storage, protection and dissemination of information. The principles of information education are disclosed: culturological, system, active, technological approaches, as well as the principles of formalization, integrity, continuity. Keywords: information society, information education, general information education, special education information, principles of information education.

233-242

Authors: Leonidova G. F.

Active use of information and communication technologies in the modern library and information production is fundamentally changing the social order for library staff training, emphasizing the social need for specialists with new professional ideology capable of productive activity of Automated Library Information System (ALIS), based on the operation of a wide range of policy means. In particularly important for operating conditions, ALIS software tools are aimed at creating the electronic information resources, in turn, dictating the need for a new generation of library personnel, are designed to include in their field of databases and modern electronic information resources. On the other hand, the library is in need of personnel capable guide to a variety of software ALIS and management decisions of its choice and use. Federal state educational standards of higher education in the direction of third-generation training “Library and Information Activities” reflects the problems of bachelors studying the software, as shown by the composition requirements for the results of development of basic educational undergraduate programs, defined the relevant competencies of graduates. The specificity of the bachelor profile “Technology Automated Library and Information Systems” in software is reflected in the list of professional competencies of the profile developed by Chair of Automated Information Processing Technology of Kemerovo State University of Culture and Arts. With all of the competencies in the curriculum of training the bachelors of “Library and Information Activities” profile “Technology Automated Library and Information Systems” included a number of disciplines, focused on the formation of students’ skills and knowledge in the field of software ALIS: “Computer”, “Applied Software assets” and “Web-technology”, “Software and hardware ALIS”, “Special information Technology” and “Presentation technology”. In order to obtain views on the contribution of each discipline in the implementation of competencies and identify the knowledge, skills and fluence in the field of software performance, the analysis of curriculum disciplines was conducted, which resulted in the matrix corresponding to the planned learning outcomes (knowledge, skills, ownership), planned results of development of basic educational programs (formed by competences). Data matrix confirms that graduate profile “Technology of Automated Library Information Systems” focuses the knowledge, abilities and skills in the software required modern library: ability to create and exploit electronic information resources, make informed management decisions about choosing and managing the special ALIS software. Willingness of students to solve real problems with ALIS is determined by the quality of final qualifying works. The analysis of the content of academic disciplines also allows us to conclude about reliability of the graduate trained in t he profile “Technology of Automated Library Information Systems” in the software use. Thus, in general, the strategy of training the library staff in the software can be evaluated as effective. Keywords: automated software library and information systems, training direction “Library and Information Activities”, training profile “Technology of Automated Library Systems”, general cultural and professional competence of bachelors, objects qualifying the final works of bachelors.

251-258

Authors: Haschina K. A.

The modern trends of international cooperation of Ukraine in the archive sector are considered. The international cooperation is focused on the creation of digital space, which should correspond to information needs of the society. The basic directions of the international archive of the conservation of cultural heritage are indicated, among them, the implementation of international projects for the virtual reconstruction of distributed cultural and documentariy systems. The main events in the field of international cooperation between the Ukrainian archival institutions and some archival products as a result of this activity are listed. The main directions of informatization of archival work towards creating the electronic analogues of archival resources in the Ukrainian archival institutions at national and regional levels are characterized. The projects of archival concept of the information archival sphere, creating the informational resources on the basis of information about archival institutions, foundations, groups of funds, documents are considered. The experience of the international arhival activity, on the example of Chernigov and Kharkov regions, are considered. The major objectives of international cooperation of the state committee on archives of Ukraine are named. Some particular substantive content of archival resources and their type-species composition are revealed. Websites of archival institutions as components of electronic archival resources are considered. The urgency for Ukraine is a rational use of archival resources in the international information space to create high service environment interaction with a wide range of users, opening them access to global information resources are underlined. Keywords: archives, international cooperation, Ukraine, archival resources, electronic archival resources.

267-271

Authors: Kudrina E. L., Ivleva T. N.

The article characterizes directions and results of scientific, pedagogical, managerial and creative activities of Lyubov Ivanovna Rudich, Candidate of Pedagogical Sciences, Professor of Chair of Social Sphere, Kemerovo State University of Culture and Arts, Honorary Worker of Culture of the Russian Federation. Keywords: creative manager, management, scientific research activity, social activity, teacher-innovator, creative activity, management, effective leader.