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PİR SULTAN ABDAL’IN ŞİİRLERİNDE TURNA MOTİFİ TURNA MOTION IN PIR SULTAN ABDAL
Authors: Fatma PINAR KUZU
Number of views: 1544
In this study, one of the important building blocks of Turkish literature, which is known in a wide
range of geography, especially in Anatolia, the motive of crane in the poetry of Pir Sultan Abdal
who has been transformed into a legend in the language of the people with its life and personality
is examined. According to the widespread understanding in Anatolia, cranes are seen as the symbol
of purity, abundance, happiness, cleanliness, faith, patience and freedom. For this reason, the crane
motive has an important place in folk tales, folk and divan poetry, folk songs, Alevi-Bektashi beliefs
and literature. Therefore, this bird considered sacred, has become the symbol of the people accepted
in the literature of Alevism-Bektashi, especially Hz. Ali. For about two thousand years, Crane has
ensured communication between the homesickness and the expatriate, representing the most valued
and loved people. In the Hacı Bektaş Veli Velayetnâmesi, the first Muslim Turkish sufi, Ahmed Yesevi, was registered as ’crane frost. Besides, Pir Sultan Abdal, regarded as Great by the Alevi people,
frequently used the crane in his poems. Pir Sultan has been the most researched poet ever among the
“Seven Great Poets”. As it is a very popular poet, it has been found that the ”Pir Sultan Abdal” tradition has been formed in Anatolia and the the pseudonym Pir Sultan was used by at least six poets.
The poet, whose poem was identified in this study is Pir Sultan whose real name was Haydar who was
born in Banaz village of Yıldızeli district in the beginning of 16th century. In this study, the, crane motive found in the poems belonging to Pir Sultan, which was compiled by İbrahim Aslanoğlu and
Cahit Öztelli, was tried to be explained by the characteristics of the 16th century and the Alevi-Bektashi beliefs and rituals.