Index, revista de arte contemporáneo

7

Authors: Dagmary Olivar

Latin American Art eory and Criticism have in Juan Acha (1916-1995) one of the most proli c and in uential intellectuals of the second half of the 20th century. His conceptual proposal, broad editorial production, as well as his professional action for Contemporary Art and the renewal of the artistic languages are some of the features that make his work a founding legacy for Latin American Art. In this article we present a brief panorama of some of the vital and professional moments of this intellectual. We propose an approach to his biography and intellectual production, which can be read as a transit through the life of this author and also of recent Latin American Art History. We do this in the context of the centenary of his birth: a way to pay tribute to him and bring his work to other generations of Latin American researchers.

8

Authors: Oswaldo Terreros

GRSB Movement (2009) is a place where different political thoughts coexist to symbolically capitalize on this movement. Based on the statements of political propaganda and a highly identificable visual structure. Department of Graphic Research and Militancy of the GRSB Movement (2014), works on the history of the political graph. is journey begins with the "National Campaign for the Awareness of Progress" in 2014 and then I start to work on other projects, among these is: "Cerrenismo en el Ecuador". is project works on the life of Eusebio Macías Suárez, founder of the C. R. N. Movement (National Claiming Crusade) and its political campaign in 1956. is project is the simulation of Eusebio's interventions in the public highway. Another project called Reactivación, Repotenciación y Revitalización de Asociaciones Obreras is a project that takes aesthetics of workers' manifestation of the 50's as if they had not stopped producing, assimilating an aesthetic, producing it and reinserting it into the urban landscape, where the Workers' manifestation.

8

Authors: Manuel Kingman

This paper talks about two online projects in Ecuador. The departure point is the work of collective Experimentos Culturales (2001- 2009), then recounts the diverse practices undertaken by La Selecta - Cooperativa Cultural between 2009 to 2013. It approaches to the process that determined the consolidation of Experimentos Culturales project, also relates his emergence in the context of an economic crisis at beginnings of the 2000 decade, this project can be seen like a multidisciplinary response that proposes the construction of independent platforms to the visibilization of the thinking and the contemporary art in a precarious for the arts. The second part of the paper concentrates in some practices of La Selecta - Cooperativa Cultural, this collective conformed with some members of Experimentos Culturales, continues with some of the work lines and also rethinks its practices.

9

Authors: Fernando Falconí

This text talks about "Cuarto Aparte: Autonomous Platform of Art and Culture" activated since 2009 as a collective and collaborative proposal, an alternative event to the International Biennial of Cuenca, Ecuador. This platform has been, from that year to date, articulating and articulating individualities and collectives of the multiple local and national scenes, we seek to make visible, reflect and debate on works, projects and agendas beyond events and institutional scenes, within a cultural, artistic, Political and social of which both autonomous, collective, codependent and institutions we are part and we affect and we relate of different and diverse ways. From the place of general coordinator of the platform I make a chronological review of the same, including its development of contents through Stripes as well as its principles and policies. I also reflect on the notion of autonomy and processes of self-evocation, self-management and self-sustainability in art and culture, with a focus on the national context.

11

Authors: Eugenio Mangia

This essay has the proposition to investigate as its objective the work of Raimund Abraham entitled “Hinge-Chair” 1970/71. The intention to study said work has a double aspiration, the first is to render a personal and posthumous homage to whom in life was my professor of dissertation. The second proposal is to uncover the motives both conscious and unconscious of the work from di erent points of view such as philosophical deconstruction and Jungian psychoanalysis. e present essay o ers an assessment of a work of art pertaining to the neo- avant-garde from the decades of the 60 ́s and 70 ́s and to establish its debt with the historical avant-garde of the 20th century.

12

Authors: Pedro Cagigal

This article looks into the notion of digital traces to explore the fear of death and the desires of transcendence we project on new technologies. We will review artistic practices that exemplify different approaches to the relation body-technology, as embodiment or disembodiment. By focusing on the artwork Marilyn by Philippe Parreno we will identify the ghost and the elements of spectral representation, to further inquire into the wishes bestowed on us through the memories and footprints we leave in cyberspace.