Contemporary Literary Review India

1-23

Authors: Anusree Ganguly

If fear can make a travesty of our best intentions by playing with the reason to discern good from evil, then fearlessness can be the deciding factor between emerging unscathed from life’s vicissitudes or sink in its scum. It’s this freedom (from fear), or rather its lack, that Mauriac builds in his tale of the trio: Maria Cross, Raymond Courreges, and Paul Courreges, who move in and out of the scenes of Le Desert de l’Amour (The Desert of Love) as the narrator relates their stories while mapping the characters in the novel to the panoply of Bible’s character types. This essay is a close look at the Bible’s depiction of the righteous (a conscious man) and an attempt at drawing the human consciousness curve with the objective to understand Good and why Evil is what it is and how they emerge in their many colours in The Desert of Love.

33-47

Authors: Pratiksha Dixit, Dr. Chaya Malviya

This study is conducted with the objective of finding out in detail the attitude of D.H. Lawrence towards technology and industrialization in relation to humans and human behavior and perceptions. The topic of this study is Dehumanization and Mechanization of The Working Class in Lawrence’s ‘Women in Love’. The primary intention of this study is to elaborate how the English working class in the mid-19th century was dehumanized as presented by Lawrence in Women in Love and his resistance towards mechanization of humans. During the mid-19th century industrial revolution led to dehumanization of the working class of England. The working class attempted to gain their humanity back through The Chartist Movement, by political reforms and establishing good communication with the masters, speaking up about the miseries and the injustices and dehumanization of the working class. The progress of the industrial revolution during the mid 19th century led to the dehumanization of the working class of England by numerous attitudes and behaviors of the employers and owners of the factories. Dehumanization included the alienation of laborers and workers by the masters who refused to give heed to the miseries and sufferings of the workers considering them only to be machines used to increase and pile up their wealth and fortune. D. H. Lawrence in his novel Women in Love, by elaborating the human psychology and understanding, provides a fertile field of inquiry to find out his attitude toward industrialization and technology in relation to human behavior and perception. In this article the focus is primarily on the gladiatorial scene of Women in Love through the lens of Lawrence's appropriation of the scientific concept of allotropy to describe the constituent elements of human nature.

65-75

Authors: Taw Tshering

Any literary texts, as emphasized by new historicist, can never be an independent texts. Literary texts are but the constitution of sociocultural beliefs, religious beliefs and economic conditions of a particular time. Thus, this paper is an attempt to analyze and understand historical factors such as religious beliefs, social practices and cultural discourses that shaped Yeshi Dorjee Thongchi’s views and concern in depicting Monpas’ and Brokpas’ life and society of a particular time. However, the novel Sonam does not guarantee the exact picture of Monpas’ life in 1980s. Thus, through the lens of new historicism, this Paper will also run in parallel with the core subject to study changes that have taken place by considering the existing beliefs and economic situations a reader lives, and draw proper conclusion to deliberate on the subjectivity and objectivity of the text.

83-94

Authors: Keshab Das

Two Weddings, One Murder and Words to Keep is a story by Keshab Das.

108-120

Authors: Sourabh Chatterji

Flight is a story by Sourabh Chatterji.

128-141

Authors: Rahul Singh

The Commotion is a story by Rahul Singh.

150-151

Authors: Hajira Irfana

Armour-Plated Zone is a poem by Hajira Irfana M.

155-160

Authors: Dr Sanjeew Kumar Chowdhary

World of fame, Across the bridge, and Arrogance are the english poems by Dr Sanjeew Kumar Chowdhary.

1-18

Authors: Dr. A. Arun Daves

This study targets testing Nils Krogstad's portrayal in Henrik Ibsen's A Doll's House. Primarily, it attempts to demonstrate that Krogstad is the real anti-hero in Ibsen's work of art by examining the adversarial credits in his portrayal, his inspirational motivations towards villainy, just as his emotional impact on the hero and the plot. After the logical conversation, the study tracked down that the intentions of Krogstad allude to social, passionate, and monetary factors. On account of Krogstad's emotional impact, the study attests his sensational impact is solid on Nora by carrying her near the truth of her existence with Torvald as a doll. Besides, the aftereffects of the study demonstrate Krogstad's cheerful end is certainly not proof that he isn't opposed to the hero, Nora, yet in addition, it is to show an example, defrauded in an unforgiving society. At last, the study demonstrates that Krogstad is the top character to be the play's adversary for his opposing highlights incorporating the contentions with Nora, the solid sensational impact on her, and the emotional impact on the play's occasions. This study targets testing Nils Krogstad's portrayal in Henrik Ibsen's A Doll's House. Primarily, it attempts to demonstrate that Krogstad is the real anti-hero in Ibsen's work of art by examining the adversarial credits in his portrayal, his inspirational motivations towards villainy, just as his emotional impact on the hero and the plot. After the logical conversation, the study tracked down that the intentions of Krogstad allude to social, passionate, and monetary factors. On account of Krogstad's emotional impact, the study attests his sensational impact is solid on Nora by carrying her near the truth of her existence with Torvald as a doll. Besides, the aftereffects of the study demonstrate Krogstad's cheerful end is certainly not proof that he isn't opposed to the hero, Nora, yet in addition, it is to show an example, defrauded in an unforgiving society. At last, the study demonstrates that Krogstad is the top character to be the play's adversary for his opposing highlights incorporating the contentions with Nora, the solid sensational impact on her, and the emotional impact on the play's occasions.

36-82

Authors: Shivanshie Garg

In this study the author be analysing the plays, a tragedy, Desire Under the Elms (1924) by American playwright Eugene O’Neill and a drama, The House of Bernarda Alba (1936) by Spanish playwright Federico Garcia Lorca . The author will be analysing the characters of the mothers, Abbie (Desire Under the Elms) and Bernarda Alba (The House of Bernarda Alba) and how their dysfunctional characters and behaviours are because of the influence and impact of patriarchy. A typical feminine quality assigned to a mother is of a nurturer who protects her children. But what are the consequences when she does otherwise? These plays depict the actions taken by the women that the society doesn’t associate to their role as a mother and doesn’t approve of them. The author will be looking at several tragedies and analyse the characters of the mothers. The author will be looking at the act of maternal filicide. So, this comes to us as a shock because we are not ready to accept this aspect of her character. Abbie kills her own son to prove her love for Eben and Bernarda Alba, a matriarch who controls the lives of the women around her, doesn’t shed a tear at the suicide of her daughter and exempts anyone from doing so. By the means of this study, The author wants to show that a mother is a human and she functions according to her desires and passions and they are allowed to diverge from their so-called perfect roles. They have been trying to break away from the stigma of being perfect and their stereotypical role of a selfless being. They want to place the individual above the society’s image of a mother. The author will compare and contrast the motherly and the un-motherly characteristics.

132-147

Authors: Soumita Mitra

Language has been conceived to be the most effective medium for communicating one’s ideas and emotions to others . The journey of any language in order to earn recognition undergoes rigorous changes and testing through ages . Language of any particular place or region which is popularly known as the “Dialect” takes the form of a complete expression only after it becomes customary to the lives of the people. The process of getting accustomed in the social order includes its travel through the folk literature, indigenous tales and the travelogues native to their places. This work would accentuate how the folklores in the provinces of Jharkhand and West Bengal , inspite of being geographically divided hold on to have some common features . Their similar historical backgrounds have laid the foundation for many local dialects to not only thrive and develop but to maintain its strong roots till today.

155-165

Authors: Venkatesh Govindarajan

Long walk to somewhere a story by Venkatesh Govindarajan.

172-184

Authors: Madan Sarma & Subhajit Bhadra

Water Hyacinth is a story by Madan Sarma.

200-207

Authors: Saligrama K Aithal

May all beings everywhere be happy and free! is a story by Saligrama K. Aithal.

221-224

Authors: Debottam Saha

The Man with Dead Leaves is a poem by Debottam Saha.

230-233

Authors: Giti Tyagi

Trojan Horse is a poem by Giti Tyagi.

240-242

Authors: Dr. Romi Jain

Ode to You, Dad is a poem by Dr. Romi Jain.

246-250

Authors: Shuvam Dewanjee

God to the Guillotine, The Voiceless Woman, and Harbinger of Change are the poems by Shuvam Dewanjee.

254-256

Authors: Stephen Lefebure

Music and Thrown are the poems by Stephen Lefebure.

262-267

Authors: Dr. Anmol

Book Review on Ravi Gowswami’s "FOILED: THE ENEMY’S PLAN" by Dr Anmol

1-27

Authors: Dr. Abdelkader Ben Rhit

This paper explores the intertextual elements between Jordan Peele’s Get Out and Shakespeare’s Othello. The researcher applies Bazerman’s model of intertextuality to examine the similarities and differences between Peele’s movie and Shakespeare’s play. In comparing Get Out to Othello, the paper argues that, not only do both texts centre on an accomplished Black man who is forced to confront the racist assumptions of white society, but it also explores how that white society mobilises stereotypes in order to manipulate and nullify Black agency. From the intertextuality perspective, the paper argues that there are noticeable narrative and thematic parallels in Get Out film and Othello. Although the selected texts differ in their genre, the geography and period of time where and when they were produced, they manifest similar events and themes. The American movie Get Out surfaces such themes of racial stereotyping and treachery much like how Othello exposes these themes. The main objective of this paper is to demonstrate how Peele recontextualises and reconfigures the racial dynamics of Shakespeare’s Othello in the so-called “post-racial” America and how he positions himself in relation to these racial issues. An intertextual reading of the two selected texts will widen the scope of understanding each of these aspects and reveal how intertextuality works between these two literary pieces.

35-43

Authors: Ayesha Khan

This paper examines the dynamics of internalized oppression in context of Katherine Mansfield's story "The Daughters of the Late Colonel". By studying this story, the author furthers the understanding of the complex patterns of the process of oppression. This analysis includes a study of how the Oppressed internalise self-subjugation and how Oppression persists due to this. The author makes use of Audre Lorde's ideas on Oppression and Jeremy Bentham's concept of a Panopticon as understood by Michael Foucault.

60-85

Authors: Bishnupada Ray

This paper intends to analyse William Golding’s 1956 novel Pincher Martin in the light of decolonisation and the resultant loss of empire and also their effect on the British psyche. That the novel is usually read a moral tale of salvation and damnation, but it can also be read as a reflex action of a dead colonialist’s consciousness or a psychological reaction to the end of colonies. This consciousness gathers itself as a centre and continues to act in the line of colonialism even after his death, without even being aware of his death. Apparently a survivor of a torpedo attack, Pincher Martin finds himself on a rock, which can be seen as a margin and which he tries to dominate and subjugate by using the tools of colonialism. However, this diehard colonialist is destroyed and defeated on the rock by black lightning. The novel is a moral allegory, but it is also an allegory of the confrontation of the centre and the margin presented in geographical terms. Geographically Great Britain is an island, and its expansion through colonialism is a part of its ‘island complex’ and claustrophobia.

99-113

Authors: Ms. L. Priyadharshini, Dr. B. Padmanabhan

The conceptualisation of examining the layers of multiple societal identities, behaviors and social meanings associated with men, women, or transgender binds to construct the entity “gender”. Gendered stereotypes are socialized across cultures thus, inducing subjugations and oppressions at various levels of the society. The primary objective of the paper is to investigate the chosen literary text with different aspects of intersectionality, under the perspective of gendered subalternity, experienced by the female characters of Naga tribes portrayed in the work. Further, the article interprets the horrendous turmoil of gendered marginalisation and discrimination imposed by the authoritative bureaucrats of the nation state through physical abuses and social customary laws against tribal women. The ways that the patriarchal view and the prevalence of unbalanced power relations in the society shatter the intersectional identities of tribal women are discussed in detail. Temsula Ao’s short stories “The Last Song” and “The Night” from the collection These Hills Called Home: Stories from a War Zone are chosen to construe with the thematic notions of intersectionality.

137-166

Authors: Shubham Joshi

Henry David Thoreau is central to the understanding of the Transcendental movement that enveloped America during the middle of the Nineteenth Century. The writer is a reflection of the whole movement as he studied and took inspiration from the very sources that played a key role in developing the central tenets of Transcendentalism. This movement, later, paved the way for Emily Dickinson, Walt Whitman, and W. B. Yeats in the literary circle. This paper attempts to trace the major sources for Thoreau’s inspiration in writing his most well-known prose piece: Walden. A correlative study of the text with respect to British Romanticism and Indian philosophy has been done to determine the inspirational trajectory for the American philosopher.

174-185

Authors: Nigel F Ford

Hut is a story by Nigel F Ford.

192-195

Authors: Saligrama K Aithal

Om Shanti! Shanti! Shanti hi! is a story by Saligrama K. Aithal.

211-218

Authors: Ujjal Mandal

The Mystery of Nature: All Happened By Chance is a story by Ujjal Mandal.

221-222

Authors: Beena Anil

Home Sweet Home for Any or Many is a poem by Beena Anil.

228-229

Authors: Deepakshi Ghanshani

Goodbye is a poem by Deepakshi Ghanshani.

233-234

Authors: Hema S

Finally is a poem by Hema S.

242-243

Authors: Sarah Fatima

Memories is a poem by Sarah Fatima.

246-251

Authors: Ravindra Rao

Book Review on Ravindra Rao’s Aksara Bhagavad Gita by Dr. Gururaja Rao.

262-265

Authors: Siddhartha Raju

Book Review on Ramachandra Guha’s The Commonwealth of Cricket: A Lifelong Love Affair with the Most Subtle and Sophisticated Game Known to Humankind by Srinivas S & Siddhartha R.