Revista Araticum

5-12

Authors: Ângela Maria Salgueiro Marques

O presente trabalho objetiva analisar alguns contos de Oswaldo França Júnior, escritor mineiro, relacionando-os com os conceitos de ilusão de ótica e ilusão oracular, sendo esta baseada no referencial teórico proposto por Clément Rosset.

22-32

Authors: Jorge Wolff

Partindo da noção de “telquelismos latino-americanos”, o texto reflete sobre a disseminação das ideias do grupo Tel Quel – cuja revista, dirigida por Philippe Sollers, foi publicada entre 1960 e 1983 – no Brasil e na Argentina. Os neo-vanguardistas franceses reunidos em torno de Tel Quel reivindicaram o ensino de Jacques Lacan, além das teorias de Roland Barthes e Jacques Derrida, sendo que alguns destacados intelectuais latino-americanos falaram a mesma língua vanguardista-psicanalítica sob distintas formas político-poéticas, a exemplo dos escritores Silviano Santiago e Ricardo Piglia, abordados aqui.

44-51

Authors: Telma Borges

Clearly a follower of a tradition founded by Edgar Allan Poe, Rubem Fonseca in the short story “Romance Negro” considers Willian Wilson, written by the American writer. This study thus, aims an analysis of how the Brazilian writer reads through the tradition of rupture, Poe’s short story.

62-70

Authors: Sérgio Mauro

This essay aims to analyse the temporal dimension and the temporal instruments which the baroques poets utilized in Italy. We intend to demonstrate that the “minor poets” of that period made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

3-11

Authors: Robson Coelho Tinoco/ Marília de Alexandria

Under the dialogical notion of a given poetic-musical language can be structured activities that best relate literature and music (popular and classical). In that current context historical of globalization and multisemiotic informations it is believed that, in the measure in the person notices the due relation / integration of those levels, the contact with the implicit musicality in the verses of poems will make possible that she is apprehended better until as contemporary melopoetic element. With such concern, and leaning on in analyses of Mikhail Bakhtin, Octavio Paz, José Miguel Wisnik, Luiz Tatit e Jusamara Souza, the theoretical foundations of the process consider, basically, a conception dialogical and interactionist of that of those artistics language).

23-41

Authors: Maria Gloria Cusumano Mazzi

This paper presents some considerations on intertextuality in general and highlighs the different definitions of parody in special, from Aristotle to the present.

52-59

Authors: Wesley Thales de Almeida Rocha

This article discusses the book Per Augusto & Machina, by Romério de Rômulo, opposing his poetic to his previous books especially Matéria Bruta (‘Gross Matter’). There is something evident in Romério’s poetic trace in this new work and confirms the poet's commitment to combine the various components and real power of his poetry in a "new and opening" language. Other features are transformed and reorganized in a voice accustomed to cry, or to bark more than a language, that is, an almost human and almost animal language. The reference to Augusto dos Anjos, a poet with which Romério Romulus dialogues from the book's title, helps to understand much of that wild intelligence featuring poems. In addition, there is a distinct affiliation of the author to the Baroque which intensifies and transforms from Matéria Bruta and it seems to give new meaning to his poetic work likewise.