Revista Académica Estesis

45

Authors: Cynthia Farina

Möbius band twists the space image in the 20th century. Lygia Clark’s art and Michel Foucault’s philosophy provide testimony of it. This paper turns to the notion of care of truth in Foucault to approach the dismantling of esthetic plan in the first periods of the artist’s work. The transformations of esthetic plan give us the possibility of seeing the changes of space of the experience in the art field, but, mainly, in the field of life itself, the way we experience it. As a result of this action, it is presented here the intimate relations between ethics and politics in order to evidence the problem of esthetic formation. It is discussed a formation promoted by esthetic experience which affects the sensitive and discursive ways of production of reality

69

Authors: Simón Montoya Rodas

In this paper, I present the elaboration, which is the result of a question about the body asked in the first person singular. It is a reflection of oneself under the assumption that war has needed some bodies formed and disciplined in specific ways. The body is shaped from language and represents the ideals of a culture. The body, as a historical construction, is a text to be interpreted and mapped from phenomenologi-cal and critical exercises. Then, I present the systematiza-tions of two current experiences as a movement that allows symbolic constructions. I base this text on a family history reading, and how its agents have constituted the body; my ancestors’ experiences. Data are put together in a narra-tive plot structure that ends with current ethical positions in movement. I explore different literary works and find a body that goes from the force of progress, the destructive and violent men and the kind, strong and maternal women, to a fitness body, which symbolically begins to have pro-ductive loss and becomes a consumer. At this point, art and community become languages for the re-existence

29

Authors: Lina Marcela Silva Ramírez

Este texto apresenta o processo pelo qual a performance titulada Arraigos foi construída, que questiona os fenômenos que surgem quando mudamos de um lugar para outro. Uma reflexão consolidada é proposta sobre as questões: O que acontece com o corpo nos processos migratórios? Como representamos a nova realidade que enfrentamos com a mudança? Que sensações se manifestam em nosso corpo como um produto do deslocamento?O olhar foi orientado pelas linguagens estéticas (corporais e sonoras) e por um processo criativo em que a multiplicidade das raízes é visível a partir da própria experiência e da do espectador. Por fim, a performance conseguiu construir uma ponte entre a pesquisa, a criação e a obtenção de metáforas cotidianas que buscavam encontrar os pontos comuns e a configuração de seus próprios lugares quando não mais viviam nos lugares de origem.

55

Authors: José de Jesús Herrera Ospina

This article presents a hermeneutic reading of the conception of the body from the philosophy of Plato, particularly its dialogue with the Phaedo, emphasizing the relationship that can be established between aesthetics, education and humanism. This trinomial is very important in the cultural history of the West, given that most philosophers and researchers from other disciplines have lavished much of their time to understand and propose from these referents educational models that allow understanding the culture and the world where you live

81

Authors: Edwin Alexander Castro Méndez

Wind bands, in the Colombian field, are taken as an artistic phenomenon that allows the meeting around local celebrations, where corporal, visual and resounding interrelations are hatched from different enjoyment ways. Their more relevant partners in the towns: parades and open-air band concerts, call to the meeting when they pass by the streets or they rule in a park. Party – intrinsic in any of these events – when metals, woods and percussion rule the street results from the dialogue between traditional Colombian music and European military band instruments to promote, in the local stage, an aesthetics with an own signature