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Image of France and French People in the Soviet and Russian Screens
Authors: Alexander Fedorov
Number of views: 363
Object of study: the development of the theme of the image of France and French people in the Soviet and Russian screens. Subject of research: the evolution of the basic concepts and ideological stereotypes theme image of France and French people in the Soviet and Russian screens.
Research objectives: to determine the place and role of the theme of the image of France and French people in the Soviet film industry compared with the trends of the Russian modern era; to study the cinematic, political, ideological, social, cultural context, the main stages of the project stated theme, direction, goals, objectives, concept interpretation of this topic in the Soviet and Russian screens; to carry out a comparative analysis of classification and ideology, content models, modifications of the genre, Soviet and Russian cinema stereotypes associated with the interpretation of the image of France and French people.
As for the statistical data, it can be noted that the Russian cinematographers' attention to the French theme has increased significantly (about twice) in the post-Soviet period. So for the Soviet years, 128 films with French characters were staged, where as in the last 26 years (1992-2018) of such films 78 have been removed. With the dominance of the drama (75 drams in the Soviet period and 25 in the post-Soviet period), the share of films melodramatic genre (from 14 in the Soviet period to 20 – in the post-Soviet).
Consequently, interest in French subjects in Soviet and Russian cinema is not accidental, which is understandable - the history of Russia and France is closely connected, and this is not only the history of wars, but also friendship, mutual attraction of cultures.