Revista Araticum

1-9

Authors: Adélcio de Sousa Cruz

Think contemporary literature has been a major challenge. How come? Each past period has also been the challenge for literary criticism in that moment ... Two collections, one of short stories and other due to poetry, published in the 1970s, served as a milestone in what was called contemporary Brazilian literature and they were organized by Alfredo Bosi and Heloísa Buarque de Hollanda. From that decade to the present, the literature has shown signs of vitality and plurality concerning aesthetic and marketing choices. Yes, aesthetics and market are also flirting and sometimes they operate hand in hand. Side by side the free dissemination done digitally, literary works in book form must be marketed ... In addition to the market in the artistic and literary production of the act itself, writers are seeking aspects that most represent them, and, the criticism has been occasionally surprised by the impossibility as we should call it, a more satisfying classification. Still, we hope to contribute pointing shafts likely path to this exploratory journey: the new "marginal literature"; the so-called "new generation" (names that represented Brazil in international literary fairs and have dawned on national literary competitions)and another who belongs to the literary canon and the "high culture". It is also worth noting a fourth way in which women's literature, gay, African-Brazilian and indigenous are contemplated. It is important to note that all trends, to a greater or lesser extent, also dialogue with other arts and media. The search for new criticism glance is precisely made just in the crossing act of analyzes such literary strands.

20-34

Authors: Felícia Johansson

This article aims to examine the concepts of theater game and improvisation in the light of J. Lecoq’s pedagogy and H.G. Gadamer’s philosophy. The starting point for this examination is “Pirlimpsiquice” a short story written by Guimarães Rosa. In this story, a group of students rehearse a play to be presented at a school festivity. However, at the day of the performance, the main character forgets his part and the group ends up improvising another play, with an entirely different story, through a process of theatrical improvisation.

54-66

Authors: Jean Pierre Chauvin

In Grande Sertão: Veredas, Riobaldo spreads a combination between gunmen’s espontaneity and artifice which are in constant struggles in search for love, power and peace. The purpose of this work it’s to demonstrate that Zé Bebelo’s judgment is as a key-episode in this novel: a starting point for a quarrels concerning some procedures inlaid the narrator’s story.

1-12

Authors: Alex Sander Luiz Campos

AfranioCoutinho (1959) discusses the philosophical background of Machado de Assis, pointing to the writer’s affiliation to Montaigne and Pascal. His reflection is utilized in this work to carry out some similarities between Michel de Montaigne’s Essays and the crônicas of Machado de Assis’ series “Bonsdias!” [“Good morning!”]. To that end, are thought as genres in which these writers develop their writing projects, the essay and the crônica. Montaigne is present in various ways in “Bonsdias!”, including the thematic confluence. As we could saw, the role of Montaigne in Machado’s formation is not restricted to spiritual attitude; there is a necessary step for literary creation.

20-25

Authors: Profª. Me. Ana Gabriela Gonçalves Ribeiro/ Prof. Dr. Osmar Pereira Oliva

This research proposes a reflection of representations of women in O risco do bordado, of Autran Dourado, conciliating genetics criticism to theory of gender. Through the analysis of manuscripts of romance writer we intend to as built representations of women in the narrative, whereas, for the author, all symbologies, metaphor, and manipulated ambiguities were planned to support the architecture of the text. In addition, we will do the study of gender relations between the characters in the context of narrative and further we see how Autran deconstructs myths of women and men, raised by the protagonist.

38-44

Authors: Prof. Me. Cácio Xavier

This article is an excerpt from the dissertation on intersemiotic translation of five narratives from the book Primeiras Estórias (First Stories) by Guimarães Rosa for the film Outras Estórias (Other Stories) by Pedro Bial. The text runs through the transmutation of scenery and Guimarães Rosa's characters to film language with its specific features. And above all, the visual context dialogue through imagination and image with the Minas Gerais writer's work that since the 1960s is source of theater scripts, movies, documentaries and miniseries for television.

59-70

Authors: Elise Aparecida de Oliveira Souza

In view of the literary and artistic value expressed in the fictional work of Darcy Ribeiro, we propose to rescue Darcy Ribeiro as a novelist. From this perspective, this work aims to present the critical reception of the anthropologist-novelist from the 70s, 80s and 90s to the present. With regard to Latin America, Haydée Ribeiro Coelho (2000) states that Darcy Ribeiro is one of the greatest intellectuals of the twentieth century. In this conjecture, we propose an analysis of artistic and literary creation in Maíra, with the intention of presenting the darcynian fictional universe and likewise establish this novel’s relations with the changes that affected the Brazilian society in the period of its publication. Thus, it is essential to resume the ideas addressed by the writer of Minas Gerais exposed in his novel with the intention of establishing a possible concatenation of his thought with the contemporary literary review.

1-15

Authors: Adalberto Rafael Guimarães/ Ilca Vieira de Oliveira

In the Cartas Perto do Coração (2001), a collection that gathers the letters exchanged between Fernando Sabino and Clarice Lispector, we analyze the processes that involve the writing of himself these authors, from the conception of "autobiographical pact," postulated by Philippe Lejeune. In this study, based on the idea of "file self" proposed by writer Philippe Arties, we will discuss the letters as a vehicle for creating subjectivity and poetic image of the self. We will check how Fernando Sabino and Clarice Lispector take ownership of the literary discourse, offer themselves to the gaze of another, and so they build their images from their daily lives. We will work, too, how the authors were open to examination of conscience shared with the corresponding and thus contemplating their lives and also their artistic creations. Through the letters, we reflect also on the similarities between the composition of their characters and themselves, because we understand the charts as deposits marks the initial impulses that gave rise to books of Clarice and Fernando, in which character and author was confused in the structure of the text.

24-38

Authors: Laura Janina Hosiasson

We would like to present throughout this paper the Chilean writer María Luisa Bombal, still almost unknown to the Brazilian academic public and common readers. Her work, brief and stirring emerged in the Chilean literary map as one of its most important spots. Her tale “The tree”, from 1935, holds its due place in many Latin American Contemporary short story anthologies. I hope to establish a parallel between her and Clarice Lispector´s first production, although some distances between them have to be recognized. These two Latin American authors´ s trajectories never crossed during their live times, even though their biographies led them parallel roads. Among their characteristic themes, motives and procedures one can draw a line that joins them in a surprising and happy manner.

50-60

Authors: Mannuella Luz de Oliveira Valinhas

The text "As Aventuras de Diófanes - máximas da virtude e da formosura" was assigned to Alexandre de Gusmão for a long period, but it was actually written by Teresa Margarida da Silva e Orta and it is involved in the controversy regarding the novel appearance in Brazil. Considered by many specialists as the first brazilian novel, this text brings a concept of nobility distinction which dialogues with its main contemporary philosophical and political tendencies. At this article we analyze how Silva e Orta relates the notions of meritocratic nobility (Verney) and the ideals of heroic nobility (Matias Aires) and also advocates that the great men of science should be honoured as a step to society's moral elevation.

75-88

Authors: Rodrigo Felipe Veloso

This article aims to analyze the novel A paixão Segundo G.H. from the perspective of alchemy by Carl Gustav Jung, as the protagonist uses of the alchemical process, to know herself. This happens when it goes through successive stages and dependent on specific operations as calcinatio, solutio, coagulatio, sublimatio, mortificatio, separatio, coniunctio, which are designed to bring together what was separated, seeking an integration of spirit by an activation of the matter, which implies a reflection on the character of its existence and the sacred relationship / profane. Therefore, interdisciplinary, is the path that will travel in search of building the identity of G.H. and also the narrative.

1-9

Authors: Andrea Vilela

The trace, stain and residue are elements that can be pointed in the work of Lúcio Cardoso as a way of being in language. Arises as residual record the passage of a subject for life. In this article was chosen as clipping the novel Chronicle Murdered House. In it were pointed out passages in which it is possible to identify this other kind of writing that ushers. The dash is also touted as something that is present in the work of Lúcio Cardoso in a broader sense, which can be identified in his drawings, in his handwriting or as part of the narrative.

18-28

Authors: Cássia dos Santos

An overview on Lúcio Cardoso’s artistic production, including his novels, plays, short stories, poems, diaries, cinematography, drawings and paintings.

42-53

Authors: Fábio Figueiredo Camargo

This article focuses excerpts from the diary of Lúcio Cardoso, to discuss the invisibility of his sexuality for the Brazilian critics. Seen for a long time as a Catholic and intimate writer, it's time to discuss something that the most of critics do not want discussed, that wants muted: the writer’s sexuality in his writing.

64-74

Authors: Odirlei Costa dos Santos

Before Lucio Cardoso’s novels this thesis pursues to engender the unravelling of the artifices that reveal provocation. Through some of his works, it is possible to go over the ontological literary texture explored by Lucio in order to know how it answers his own provocative ideal. We aim to emphasise how the Brazilian author used a range of literary stratagem to gather a piece of writing that causes discomfort and perturbation. Thus provocation becomes the primordial subject of his literary virtuosity that is also transgressing.

83-96

Authors: Telma Borges

Comparative analysis of Lucio Cardoso’s Maleita and the story "Sarapalha" of Guimarães Rosa, taking as its starting point the expression of other as disease. Therefore I intend to discuss how strangers are taken as something negative in these texts for whom enunciate speech.

5-14

Authors: Aldinida Medeiros

Este trabalho tem como objetivo uma leitura do romance Bangüê, de José Lins do Rego, observando-o como uma narrativa que traz uma representação social do período em que a economia rural canavieira entra em declínio, no Brasil. Intencionamos observar, através da trajetória de Carlos de Melo, a decadência do Engenho Santa Rosa, assim como outros da região. Culminância, juntamente com o romance Usina, na prosa de Lins do Rego, do chamado ciclo dos romances da cana de açúcar, pertencentes ao regionalismo iniciado na década de 1930.

37-44

Authors: Evaldo Balbino

Este artigo pretende discutir o lirismo de Cláudio da Costa como sendo um discurso comedido e ao mesmo tempo filiado à noção do sublime poético de Longino. Trata-se de rever uma obra que se situa num limiar, numa zona limítrofe entre a estética neoclássica da contenção emocional e um lirismo mais expansivo.

55-65

Authors: Marcelo Sandmann

Between September 15, 1862 and July 1, 18633, the Portuguese poet Faustino Xavier de Novais edited, in Rio de janeiro, the literary magazine O Futuro. In it collaborated Brazilian and Portuguese writers, many of them belonging to the then Portuguese colony of Brazil's capital. The present study aims to investigate the general spirit of the publication, a magazine programmatically Luso-Brazilian, highlighting the collaborations of Machado de Assis, Camilo Castelo Branco and its publisher, Faustino Xavier de Novais.