Vestnik KemGUKI

13-18

Authors: K. K. Kolin

In modern conditions, the appeal of traditional cultural systems, associated with the growth of the crisis tendencies of civlization, becomes important. The Slavic world takes a special place in the development of human society. This system was formed on the basis of traditions of Slavic culture, which is based on moral principles of the Orthodoxy. Studies show that today these moral principles are again popular, as they allow you to form attitudes and models of human behavior necessary for the survival of mankind in the face of rapidly growing global problems. The Slavic world has a strong moral and spiritual potential, based on the features of the ancient culture and language. In a systemic crisis of civilization, this potential becomes a strategic factor for the safety not only of the countries belonging to the Slavic world, but also in other countries, which are now looking for a way out of this crisis. Therefore, strengthening the unity of the Slavic world today is a strategic task for the mankind. It is noted that this unity should promote the spiritual and moral elevation of man, what is happening today to suspend the hazardous process of moral degradation of society. Culture of the Slavic world can and should be the blueprint for the formation of a new culture of peace and security as a prerequisite for survival of the mankind in the face of global challenges. Keywords: global security, spiritual values, cognitive potential, Russian, Slavic culture, sustainable development.

24-33

Authors: I. Yu. Uskov

The article describes the process of forming the new research direction in the historiography of Kuzbass regional genealogy. The experience of development at the local level at the end of XX – beginning of XXI century was summed up, and given an estimate of the current state, disclosed scientific and didactic potentials, identified significant events, causes of problems of family history preservation in the region. The study methodological basis were approaches, principles, instructional techniques and methods exploring the region, as set out in the works of representatives of cultural historical destinations of local movement in Russia in the 1920s and updated by modern researchers within the civilizational paradigm in explaining the “homeland” construct, as well as solving the problem of family ancestral memory as a form of realization of universal memory. The empirical data for research became the public initiatives (media publications, Kemerovo branch of the Amateur Association of Genealogists’ activities, Competition “The Tree is Strong by Roots”, exhibition on the family history, Round Table of the Public Chamber of Kemerovo region), science projects (almanac “Kuzbass Rodoved” monographs researchers, etc.) and pedagogical practice (drawing of pedigrees as an integral part of work of students in the system of additional education). The accumulated research experience is very significant. The published series of “Sources of historical genealogy of Kuzbass”, dedicated to the characterization of different kinds of genealogical documents (parish registers, civil registration, registered tales, lists of evacuees in 1941–1942 of the cities and regions in Kemerovo region), is a model studying genealogy underprivileged classes, with certain variations suitable for any region of Russia. Prospects for the development of research direction will be associated with a number of Kuzbass historiography topical issues, such as the history of rural settlements, “oral” history (were present examples of transformation among the descendants of old last names representations about their progenitors). Pedagogical potential of local history genealogy due to its humanistic possibilities for patriotic, moral education (didactic model: through the knowledge of family history to the knowledge of local history, then, to the country’s history). Keywords: local history genealogy, family history, archival sources, moral education.

48-55

Authors: V. V. Tikhonov

In the article, the analysis of historical and cultural potential of immigrants of the period of Stolypin agrarian reform in Predbaykalye is presented. Ethnic groups of immigrants, which by results of historical and cultural zoning of the region, in connection with existence of different elements in material carriers of culture in comparison with other ethnoses and the ethnic groups living in Predbaykalye, have prospects to keep further these material carriers by means of their musefication, including the method of ethnographic open-air complexes are considered. Belarusians, Ukrainians, Tatars, Golendry and Poles, such ethnoses and ethnic groups of immigrants are such groups. The houses, made from timber blocks and at the initial stage of resettlement of a roof covered with straw, belong to ethnomarking elements of Belarusians. The Ukrainian features are the huts covered with clay outside and whitewashed, the Tatar feature of houses is a lack of windows on the street and construction of mosques. The technology of construction of houses of Golendry brought to Siberia is an economic yard under a uniform roof. Poles, Polish miners, who weren’t carriers of construction traditions, had churches as a feature of their material culture. Keywords: immigrants, Russian, Golendry, Poles, Belarusians, Tatars, Ukrainians.

62-68

Authors: E. G. Khotko

The article examines the historical roots of Leisure Fair in Russia. Par with fair trade and forms of market relations peculiarities of running fairground forms of culture are reviewed. In view of the close trade relations between Russia and Europe, it is clear that the forms of trade fairs and business features were borrowed from Europe. Together with fair trade and forms of market relations in peculiarities of Russia could be found numerous spectacular and game forms of European culture as fun game puppet shows, circus acts with animals, performances of jugglers and acrobats. At one level, theatrical guests with sales representatives have made significant changes and influence on the development of free trade and fair areal holidays in Russia. At the same time, art is not art only but also goods. Thus, on a par with traditional, unheard and unseen played a major role in street art. The uniqueness of Russian culture was just in ability to take all of New England, Poland, Romania, France, Holland and adapt a combination of different genres on Russian soil. Fair for the Russian people was perceived as a holiday with freedom of speech, equality, uncontrollable laughter. A puppet theater was in special demand on the fairgrounds, it could be considered one of the most striking phenomena of culture. Variety of forms and types of puppet theaters in St. Petersburg aroused great interest among the public. At fairs and festivals especially popular performances of petrushechniks. Comedy was unprecedented condemning the power of laughter. Popularity puppet comedy was so great that the inspired writers, poets, composers, playwrights used Petrushka dolls for their works. M.Gorky, N. Nekrasov, F. Dostoevsky enthusiastically wrote about Petrushka. I. Stravinsky turned to comedy theater Petrushka in creative works. Thus, there has been some retail space spread that mixes commerce and entertainment. Incredible combination of all sorts of entertainment and commercial transactions did not only trade at the fair, but was a kind of spiritual center, which combined tastes and customs of the people. Keywords: fair, exhibition trade, Petrushka puppet theater.

75-84

Authors: N. D. Ulturgasheva, D. V. Novikov, I. G. Ulturgasheva

In the summer of 2013, we carried out expedition to Shanda village of Guryevsky district in Kemerovo region. Here representatives of the Teleut ethnos live. The purpose was to reveal nature of modern ethnocultural processes in this environment. Directly the settlement is adjoined by the meadows which considerable part is occupied with dumps of Shestakovsky and Bachatsky coal mines. According to informants, the main economic occupation is agriculture (truck farming). Absence here of lines specific to Teleuts is caused by character borrowed for them. On our vision, confirmed by the informants, number of farms containing the livestock today is rather insignificant. During supervision and conversations with respondents, a high extent of marginalization of the population was revealed. It is shown, for example, in regular alcohol intake by considerable part of Shanda inhabitants. The neighbourhood of coal mines was estimated by our informants as a whole as “disastrous” for the surveyed group of the population. The recreation center functions in the village. In its territory at the time of our research, the ethnic platform was created. The applied art (embroidery, knitting), according to respondents, is not practised today. According to memoirs of our informants, the national clothes were daily used till last decade of the XX-th century. Informants spoke about traditional ways of skin manufacture, sheepskins, tailoring of fur coats only in the past tense. On our supervision (and to estimates of respondents), kitchen is the most keeping the positions in the household sphere aspect of traditional culture. On religion the informants interrogated by us surely called themselves to Christians. There are also elements of primordial beliefs. Cultural workers in an interview called the traditional musical instruments lost so far. According to local population, national types of songs, oral creativity as a whole remains only among women of middle (on recreation center activities) and senior age groups. Names of national games were also listed. During an interview, respondents noted that representatives of young generation of Teleuts hesitated about the national identity. Certain informants consciously named the elements of traditional way of life. So, representatives of the Uskoyev family planned (at the time of conversation) carrying out the national wedding. As a whole, for today informants note withdrawal of bulk of autochthonic inhabitants of the settlement from the national culture. Regular reproduction of elements of traditional character (often stylized) belongs today to the sphere of art, creativity (the staff of recreation center). Thus, it is possible to state the existence of only separate fragments of traditional character, among the Teleuts surveyed by us. Generally their reproduction is connected with innovative forms of ethnic culture revival (within work of rural recreation center scenic statement of ceremonies, holidays, spoken word creativity and dances; the stylized forms of primordial clothes are used. As a whole, it is possible to draw a conclusion on absence in the territory of national culture surveyed by us as complete system. Keywords: Teleuts, ethnic culture, ceremonies, continuity of traditions, religious sinkretizm, innovations in development and translation of the Teleut culture, an ethnos survival, ecological equilibrium, marginalization.

89-93

Authors: A. S. Dvurechenskaya

There is a discussion for few years among Russian scientists-culturologists, what the theoretical and methodological features of culturology as a modern direction of the Russian researchers are. This article presents the author’s reflections on the given topic, not pursuing the goal of conceptual substantiation of the subject and method of contemporary culturology. As A. Agoshkov rightly notes, among the famous Russian cultural views about the subject and object of Culturology changed “from a complete denial of any problematization cultural knowledge... to recognition of culturology its significant cognitive capacity, not realized and not having on it of a chance in the near future” [1, p. 6]. It is noteworthy that Russian scientists are in search of a justification of its own vision of the Russian culturology as science, actively seek the experience of foreign scientists. With certain reservations, because there is no concept of “Culturology” in the American and European Humanities. Instead, foreign scientists use such terms as the school of cultural studies and sociology of culture. These research directions in Europe and America do not coexist peacefully, and lead, in the words of G. N. Bibikov, “the sharp interdisciplinary struggle”. Unifying trait is that these schools are using a variety of scientific approaches and methods to actively work with the “artifacts” of the modern culture. That research material, which is still practically not mastered by the domestic culturology. An attempt to build a common science of culture has already been in the history of the humanitarian science. These are concepts of L. White, J. Faibleman and K. Girts. However, they have not received adequate recognition in the Western anthropological community. Comparing the situation in foreign and national Humanities, it should be said that today the problem of the choice of approaches and methods in the study of culture is connected, first of all, with the choice of the scientific paradigm of thinking: classical or post-non-classical. In the first case, required strict scientific status, availability of the elaborated theory and methodological technologies, unified conceptual grounds etc. Interdisciplinary approach in the post-non-classical paradigm of thinking is principal, the rejection of classical scientific categories, “contextual relationship”, etc. A tradition of domination of fundamental knowledge historically was formed in the Russian culturology, and, consequently, the classical paradigm of thinking. At the same time, its heuristic potential associated with the post-non-classical model (according to the same A. Y. Flier). If we talk about culturology not only as a science, but also as an educational discipline, its specificity, also building on the cross-disciplinarity and integration, involves synthesis of the positivistic and anthropologic philosophical approaches. This position most of all makes the culturology as actual as a general scientific discipline in the context of the competence oriented approach in modern education. At the same time, professional culturogical education should synthesize classical and post-non-classical model of scientific thinking, first of all, to demand the cultural knowledge and experience in modern socio-cultural practices. Keywords: humanities, scientific paradigm of thinking, national culturology, theory and methods of culturology, cultural studies, sociology of culture, pedagogical potential of culturology.

102-111

Authors: G. N. Minenko, Zh. A. Ryabchevskaya

Es�������������������������������������������������������������������������������������������������������������с������������������������������������������������������������������������������������������������������������hatology is an integral part of Christian dogma about the person and the world, the main component of Christian philosophy of history. According to a position of N. A. Berdyaev and his followers, the Russian national type of the person is an eschatological type, and an eschatologizm is some kind of substantive element of the Russianness. The new reading of eschatologizm developed since the 1990s (A. S. Akhiyezer, etc.) contains the thesis about its central role in an institutionalization of special type of sociocultural dynamics of Russia. This inversion development, being characterized by a sharp transition from one pole of contrast to another, skipping the claiming or mediation, the idea which concretizes N. A. Berdyaev’s known thought of absence in Russians of a gift of “median culture” creation. In that and other case, the eschatologizm as a tendency to the end of history is urged to designate a certain primary element of the Russian religious and historical consciousness which, being the ecstatic all-Christian doctrine, is expressed in Russians. And though, in the general plan, it is possible to agree with it, however, from a position of the article authors, it is necessary to approach to a question of an eschatological dominant of the Russian religious consciousness historically. Two moments are most important. The first is a feature arriving from the Balkans in translations into Slavic language of the Christian literature, which majority was selected from monastic libraries of Byzantium. The subject of “a small eschatology” took in it an essential place and was strongly deposited in consciousness of monks of the Russian monasteries, an aristocratic top of the Kiev Rus, then next in the XIV–XV centuries when the real church conversion of simple people was carried out, it was introduced into consciousness of broad masses. The second moment, continuous influence of geopolitical making history of Russia, which was permanently generating imperative calls to the existence of the state and the people. Cumulative action of two specified factors caused a regular sharpening of eschatological moods in consciousness of broad masses of the population, happening at peaks of supertension of the people and the state for the sake of self-preservation and further development. Such an exact way “the eschatological complex” of the Russian consciousness was fixed. Since “the autocratic revolution” Ivan the Terrible and the following Distemper of the first two decades of the XVII century, which defined the most unfavorable for people (extensive, serf, autocratic) vector of economic and political development of the country, the eschatologizm acted as a means of channeling the real discontent and protest of broad masses in the sacral sphere. The diverse historical material given in the article opens details of this process. Thus, the idea of a certain substantive expectation of Russians on forming the “culture of the end” to “culture of the middle” the West can be estimated at a counterbalance only as an abstract, historiosophical design. From the historical point of view, all and in due time details defined concrete decisions of elite and unpredictable textures of geopolitical, natural and event factors, and also influences of mighty will of these or those sovereigns and church figures. Keywords: gnosticism, dualism, inversion, Manichaeism, Orthodoxy, Russian culture, eschatology.

118-121

Authors: O. Yu. Astakhov

As the fundamental basis of artistic practices and cultural philosophical constructions Andrei Bely should consider a relation to the word as a key symbol that defines the content of human life, which is most clearly demonstrated in metapoetic article “Magic Words”. In the beginning of this article, the author effectively sets the basic idea associated with unconditional approval coincidence naming the process and existence of any object and phenomena. Such a coincidence defines the ontological essence of the word, as a symbol capable of the world transformation. Living content of a word is determined by its mythological characteristics that can be supported solely by the act of creation. Unconditionally accepting this program works, Andrei Bely serves to continuing the life creating traditions developed in Russian culture after the 1850s, when the key points should be considered Vl. Solovyov’s philosophy. Enthusiasm for his ideas leads the author to believe that the cultural crisis, a crisis of consciousness is a consequence of breach of possible manifestations building the life creating words designed not merely reflect and generate new meanings and values of culture. Keywords: word-image, life creation, symbolism, cultural crisis.

134-141

Authors: O. V. Sinelnikova

Rodion Shchedrin is one of the outstanding domestic composers, who has preserved underlying traditions of the Russian musical culture. At the same time his music is a bright and innovative phenomenon of domestic music in the 20th and 21st centuries. Shchedrin’screative biography lies beyond any definite standards. He led the Union of Composers without following any of the keys of the Soviet era; he worked a lot abroad keeping the brightly expressed national colouring in his music; he mastered various avant-garde composition techniques of (dodecaphony, sonorism, aleatory music) but was never keen on any of them preserving his own style. A talented pianist, Shchedrin, is known as a performer of his piano compositions. Also, he writes librettos for his theatre works. The article deals with the features of implementation of events from the Russian history in creative works of modern outstanding composer Rodion Shchedrin. Many events from the Russian history of the 20th century served as the basis for tragic concepts of Shchedrin’s works such as choral opera “Boyarynya Morozova”, “Russian Photographies” for string orchestra, vocal cycle “My Age, My Wild Beast” and others. Theme of the Russian history is experienced and felt deeply by Shchedrin. For example, an important place in his creative work is the Russian Orthodox theme. Russian liturgy “The Sealed Angel” for mixed choir and flute, “Stikhira for the Millennium of Christianization of Russia” for symphony orchestra, “The Frescoes of Dionysios” for nine instruments, opera for the concert presentation “The Enchanted Wanderer”, based on the story of Nikolai Leskov, choral opera “Boyarynya Morozova” are among works which most brightiy reflect this stratum of Russian culture. The composer’s spiritual and creative needs originating in the family and upbringing were materialized in these opuses. Shchedrin in his memoirs “Autobiographical Notes” gives a personal assessment of the political situation and life in the former Soviet Union. He looks back on his eventful life and admits exciting insights behind the scenes of the international music world. He develops his personal view on the consequences of the political and ideological repression for the artistic practice. In the short anecdotes and humorous hints, sometimes mixed with a bitter irony, reveal a very pleasant side of Shchedrin as a man, who, in spite of some adverse experiences, has kept his cheerfulness and joy of life. Keywords: Russian history, life and creative works, Rodion Shchedrin, tragic events, Orthodox culture, Russian literature.

154-157

Authors: A. I. Dmitriev

The era in which we now live, will undoubtedly go down in the history of Russia, as the next and probably the most powerful period of its “Westernization”. This led to the fact that cultural individuality of our country and its people have faded into the third plans pronounced archaic. Particularly traditional culture of the Russian people is affected in this situation. For this reason, recent idols of the 1960–1970s “village prose writers” and creativity of V. Shukshin were not popular. We think that the time saturated by values of the West is approaching, which was alien to the Russian people, clearly, has come to its expected slowdown. In this situation, V. Shukshin’s heritage, in our view, becomes of obvious relevance, including its study, the intensity of which is in the past. This applies to its literary heritage and especially cinematic. The object of this article is to study the cultural and historical period of 1950–1970s, causing the unique life (as a writer, actor, director) work of V. Shukshin. The aim of the article is to identify the logic of artist development and evaluation of his heroes as carriers of Russian national character. With the advent of Shukshin’s cinematography and literature in the whole galaxy of brilliant writers “villagers”, vital national issues have become, finally, the subject of study in the arts. Chief among these problems, especially Shukshin’s worry, there was a problem of the state of the Russian soul at the moment of the transition of society into a new social existence “village”, which was formed by the Russian national character in “urban”. Shukshin, without exaggeration, was the first to realize that this transition will not be a major difficulty in the development of urban culture of a former villager, and their clash with the “anonymity” of the urban environment to which they absolutely were not ready. That’s why Shukshin’s heroes always carry traits (good and bad) of the Russian national character, often cannot resist the new environment, cannot fit in and out of desperation, being self-destructive. One of the most valuable qualities of the characters of Shukshin’s cinematic and literary heritage is their nature, which they inherited as a legacy from the centuries-old process of formation of the Russian national character. Nature is often intuitively understood by Shukshin’s heroes as manifested primarily in their response to any kind of man-by-man humiliation. Complete rejection of his heroes almost always leads to unpredictable results. The process of work used scientific methods, adequate research problems, comparative-historical method and art analysis. Keywords: “hero faddist”, a soul celebration, anonymous existence, the Russian national character, a tragic drama, a philosophical parable, a “peasant” civilization, culture of the city, conscience, “natural” man.

163-170

Authors: E. N. Chernyaeva

The first decades of the 20-th century are characterized by a heightened interest in various social practices, which manifests itself in the artistic culture through updating the scope of arts and crafts. In the first years after the revolution in Soviet Russia, there was a movement commonly associated with the formation of industrial art. Within this movement, there was a transition of many representatives of Russian avant-garde art from the “pure art” to the project activity. Project program production art, finally formed in the constructivist project, bore the features of a social utopia as artistic design was conceived as a way to convert a social being and consciousness, design environment. Another artistic direction, tending to translate life building principles into practice, was constructivism. Like the “industrials”, constructivists sought to move from a purely artistic activity to practice-oriented. Another merit of the constructivists is that they went to the provisions of the development of the production of art, much more on the theoretical and practical levels. Constructivists, as production workers, were critical to the previous tradition in art and tough enough to delineate their projects from the works of arts and crafts. Extensive discussion on this field to the fore some particularly thorny issues, among which is the problem of forming the image of the Soviet man. Art and culture gradually formed a perfect image of the Soviet man. The new Soviet man is the personification of the new world (the future of the Soviet state), creates a new way of life, consisting entirely of “things”, new works of art, for it builds a new life through all of that new art. Thus, the art scene of the 1920-s was impregnated with a sense of anticipation of the new era, as manifested in art approval images of the future in the present. Keywords: life building, avant-garde Soviet art, Soviet man, artistic image.

175-179

Authors: E. A. Begunova

Byzantium had a huge impact on the culture of the world in the field of Christian art. First and foremost, this influence affected countries directly bordering or had cultural ties with Byzantium. It laid the foundation in the Christian Byzantine architectural tradition. Since the IV-th century the Byzantine Empire had active construction of the Christian temple complexes, which were based on the ancient Roman public and secular buildings. The temple architecture of Byzantium throughout all stages of its development was an active search of architectural form, which would be fully consistent with the Christian dogma. During these searches, the Byzantine church architecture took several distinct stages. The main stages of this evolution is considered to be a new reinterpretation of the ancient, especially Roman, architecture, laid the foundation of the Christian centric architecture, and completed the addition of cross-dome type of the Christian church. Because of Byzantium, the Christian culture and art have great symbolic and dogmatic saturation. Construction of basils opened a wide scope for the many options of interior layout, which responded to the artistic tastes, traditions, material possibilities of a particular area of the Byzantine Empire. Centric system combines the features of the basilica architecture and new architectural system of the cross-domed church, which later became the dominant form of architecture of the Christian world. With the development and complexity of Christian symbolism, the dogma became accessible and understandable for parishioners. So, the cross-dome system came to replace the temple centric planning since the main value of this type of temples, was primarily symbolic in deep saturation. Thus, the Byzantine architecture evolved the Christian temple types and formed the foundations of Christian architecture, and most of all the Orthodox temple types. Keywords: Temple, basilica, architectural style, centric system, cross-dome system, Christianity.

185-192

Authors: G. P. Kovaleva

In ontology of transcendental cosmism of Plato, Aristotel, Plotin, Origen, Shelling, Solovyev, Bulgakov, Florensky and Berdyaev the idea of the overall being predominates over the rest. It became the main basis for the reconstruction of the notion “spiritualism”. During the process of the generalizing of the notion “spiritualism”, transcendental cosmists made the following conclusions: 1. Ontologically, “spiritualism” is the philosophic category that shows metaphysical structure of space. 2. Anthropologically, “spiritualism” is a part of the anthropic cosmic principle that allows the man to develop self-conciousness and the ability to intellectual activity. It helps to obtain ethic standards and to form moral persconality. 3. Metaphysically, “spiritualism” is the manifestation of the transcendental (Godlike) origin in the man and space (living spirit) allowing the man to be the centre of the overall of ideal and material worlds and to work on the transformation not only of his own physical, mental and intellectual nature but the whole space. The main purpose of the man in the space evolutionary process is the necessity of cognition, self-conciousness and activity for public welfare. The rate of “spiritualism” development is vividly seen in personal and moral characler of the man, his active vital position directed to the reformation of the nature and the society. Keywords: cosmos, spirit, spiritualism, transcendence.

201-204

Authors: Ivanova Nelly Stefanova

Success is the achievement of the desired goal and the result of deliberate human effort. Success is need, good life strategy and philosophy, happiness and life satisfaction. Metaphorical representation of such an abstract concept as the concept of “success” in the Bulgarian language have a spatial imagery. Success “has” definite position in space, “move” in a particular direction in both horizontal and vertical space. The article gives examples of the most common spatial metaphors of the concept of “success” in Bulgarian: the road forward, stairs, tops, flying up, jump, use right vehicle, the coordinate system of the reference point, the starting point, etc. Keywords: success, spatial images, Bulgarian.

208-214

Authors: Angelova Sophia Angelova

The paper treats the interpretation of amnesia in the novels “Libra” by Pavel Vezhinov and “The Yellow House” by Doncho Tsonchev. Amnesia in these novels serves as a background for a discussion of a number of psychological, philosophical, ethical and social issues, arising in Bulgarian society in the 80s years of the twentieth century. As far as personal memory is the core of any self-identification, the purpose of this paper is to investigate how its traumatic loss leads to a refusal, demand and achieve of personal identity by comparative analysis of the two novels. The traumatic amnesia as a main motive raises the questions of personal choice, personal responsibility and the limits of personal freedom, thus generating a number of situational similarities but also significant differences in the interpretation by the two authors. The main character in Vezhinov’s novel in search of his lost identity reaches insight on the need for harmony between rational and emotional in human nature that makes him rethink his entire previous life and revise his relations with other people. While Vezhinov’s novel is centered on the moral and psychological problems of the individual, the work of Tsonchev, building a romantic hero type, seeks a generalization of the ills of society in the comparison between madness and normality. The “mad” hero discovers the fundamental similarity between the madhouse and the outside world (the same crazy, but larger) and sees his vocation as being a doctor of the people in the outside world, problematizing the established social order. The comparative analysis of the two novels reaffirms some of the basic functions and uses of madness in literature as an alternative point of view and a corrective to the ills of society on one hand. On the other hand though essentially diverging in their messages the novels are symptomatic and representative of the interiorization or the resistance to the ideological pressure not only in the works of two of the most popular Bulgarian authors, but of the Bulgarian prose as a whole at the beginning of the 80s of the twentieth century. Keywords: amnesia, personal identification, Bulgarian novel.

221-227

Authors: N. F. Alefirenko

The article examines the relations of sentences and words contains the idea that the whole mechanism of the language associated with the operations not with values but meanings. This, in turn, suggests the possibility of attributing the phenomenon of meaning only to the sentence but not the word. However, such a categorical decision cannot but cause additional issues related to the dual nature of the sentence, which can act as a unit of language (at first incarnation of the system), and as a unit of speech (in the activity-dynamic aspect). Communicative meaning of the word is determined by the context and situation. Understanding the sense of a verbal sign in the act of communication means to understand what it refers to specifically designated data word. Such denoted, in fact, motivates the choice of a word by communicants. The word, which turned out a particular sign situation and was extracted from the context, loses its meaning. Keywords: language sign, word, sentence, meaning, sense, mind, noema.

232-236

Authors: T. Y. Rubtsova, M. I. Gubanova

The relevance and the practical importance of the chosen research subject are caused by several circumstances. Leaving school falls on the life period preceding the introduction of a person in early maturity. Graduates will have to begin new activity, and it is necessary that they would be socially active, joined by various forms of social practical work, and participate in problem solving for our society. Boys and girls have to conduct search with understanding of the world around, with adequate vision of themselves in it. The task becomes complicated also, because choosing the way in modern quickly changing conditions, seniors have to be guided not as much for today as for tomorrow’s. Young people need to learn to predict, forecast, and be aware of requirements and opportunities in future social and economic situation. But graduates of modern educational institutions also experience the greatest difficulties solving this task. Activities for formation of the updated life outlooks of the future higher education entrants include three interconnected and interdependent processes: social, pedagogical, psychological. The author of the article discloses formation features of the updated life outlooks of the future higher education entrants, considering such aspects as factors and reasons of insufficient formation of personal ideas about the future, forming the stages of life outlooks, and the personal qualities, necessary for successful realization of vital perspectives. In the author’s opinion, such personality qualities as responsibility, ability for planning, ability for time-management, ability for life organization allow to realize successfully vital perspectives to the high school students, and the formation’s condition motivational significant vital perspectives of the future entrants is realization of personal activity in the course of socialization. Keywords: updated life outlooks, personality quality, maturity and immaturity of life outlooks.

241-248

Authors: O. A. Kalimullina

Creative personality orientation is one of the few topics that are not often seen as an object of scientific analysis, for several reasons: more widespread study of creative activity of the individual, creative and self-development needs, while the direction of a person, being the multi-component complex phenomenon, allows us to offer this study. The main feature of the formation of creative orientation of the individual in terms of leisure is to direct the main potential of the individual in the right direction, to ensure the development of his need-motivational systems in the works to create the conditions to meet the basic needs of the creative personality, and to ensure the formation of the main component of the creative orientation of the individual goal setting creativity and the ability to apply a basic form of creative knowledge and skills into practice. It serves as a structural element of free time, the content is filled with activities, which allows not only to overcome the stress and fatigue, but also to develop the spiritual and physical quality on the basis of socio-cultural needs of an individual. Under leisure the author understands of free time, which the individual spends in his sole discretion in not immutable duties, and realization of individual interests and formation of his creative orientation. Keywords: leisure, leisure-time, identity, creative direction, creative personality orientation, approach, sociocultural activities.

256-265

Authors: M. Yu. Sdobnikova

The process of organizing libraries in Vladimir gubernia was held within the framework of the nationwide process and was typical of the provinces of Central Russia: in the province there were established basic types of county libraries that existed at that time: public county libraries, people’s county libraries, reading rooms and school libraries. They provided library services to various strata of the province population and became the centers for the spread of culture and knowledge. On the threshold of October revolution in 1917, Vladimir library system comprised 10 urban and 226 rural libraries. After October 1917, Vladimir public libraries became state ones, private and church libraries were closed, people and public libraries were called into requisition. The pre-revolutionary province library system was in the nature of the things bound to undergo substantial transformation. With the aim of regulating library system development, the Government of the RSFSR set a task to centralize library system and organize a unified library system. After the adoption of the Decree “On the centralization of library services in the RSFSR” (1920) new libraries were organized and existing library system regulation began in Vladimir gubernia. The following main types of libraries were established: 1) urban, central and district, 2) volost, and 3) mobile ones. During the first two post-revolutionary years, the Vladimir library system doubled and comprised 677 (in 1919) libraries, according to some sources, and 498 public libraries, according to other ones. In two years, the works on establishing the library system were suspended due to the country’s transition to new economic policies and the lack of budgetary funds. Therefore, by the end of 1923, the number of urban and rural libraries, a subject to the general jurisdiction of Gubpolitprosvet, decreased by more than 2 times, three years later, only 240 libraries and village reading rooms from 498, that existed in 1920, were functioning. Most of the focus in those years was on the organization of the Central Provincial Library in the city of Vladimir, as the major methodological center and main book depository of the gubernia. Under the conditions of further library system expansion underfunding, movable library stocks became the main form of rendering library services to the population of the gubernia. Movable library stocks extended the capabilities of public libraries to attract new readers and advance books into the masses of workers and peasants. Since the period from 1923 till 1924, accelerated development of a mobile library system and formation of movable library stocks at the central provincial, county and large volost libraries took place. If in 1921–1922, urban and rural libraries had only 42 mobile library stocks, then in 1927–1928, there were already 1058 ones. On the average, there was one mobile library per 4 settlements in the gubernia. Due to the activating of mobile library services in Vladimir gubernia, the book population ratio increased: by 1927, the urban and rural book population ratio was 0.3 and 0.9 books per capita respectively, whereas during the prerevolutionary period it was 0.07 books per capita. The basic line of library services development in 1930 became the proliferation of public libraries with the library system extension in line with the economic and political objectives set up by the Party. Library system extension was caused by organization of libraries in rural areas: at collective and state farms, at machine and tractor stations (MTS). Support libraries at the MTS became to be considered as a part of public library system. Thus, within the period from 1920 till 1930, there was given grounding in the fundamentally new library services system in Vladimir region. Public libraries system established in the region was built in accordance with the administrativeterritorial division of the gubernia and comprised the central province library, district libraries, central district libraries, volost libraries and village reading rooms. Its main distinctive feature was the desire to bring library books closer to the residents of towns and villages by way of organizing movable library stocks. Libraries’ activities in Vladimir gubernia during that period were aimed at attracting workers to building the new socialist society. Keywords: central province library, volost library (rural municipality library), county central library, library reading rooms, travelling library, bookstock for library service, movable library stock service.

278-279

Authors: V. I. Markov

The article informs about the reopening of the dissertation council of the university, emphasizes the importance of this event in the scientific life of the university, describes the themes of some investigations and poses challenges for young researchers. Keywords: dissertation council, research studies.

283-288

Authors: A. I. Yudina, O. V. Rtischeva, D. D. Rodionova, N. M. Trusova, S. A. Mukhamedieva, A. A. Nasonov

All-Russian Scientific and educational youth forum “Domestic tourism as a basis for sustainable regions’ development of Russia” was conducted from 11 to 22 November, 2013 at the Kemerovo State University of Culture and Arts. The forum was attended by 150 people, including invitees from the leaders and academic staff of educational institutions, representatives of public authorities travel companies, institutions of further education, public museums and other cultural and art figures and students of Siberian, Ural, Volga and Central federal regions educational institutions. The forum’s goal is strengthening the tourism potential of the Russian regions by creatively thinking young people, searching for ways of identifying and popularizing historical and cultural sites and using them in the development of domestic tourism. The main directions of the forum were: economic problems of developing domestic tourism, identifying modern museum technology, preserving and promoting domestic tourism facilities; intercultural interacting as a resource for domestic tourism, social and cultural activities in the field of domestic tourism, domestic tourism visual space; domestic tourism advertising. Workshops and public lectures were conducted by the leading educators and experts in the field of culture and domestic tourism (the UK and Russia) highlighted the main problems of developing domestic tourism and cross-cultural communication in the above mentioned sphere. Keywords: domestic tourism, cross-cultural communication, historical, cultural and natural heritage, museology.