MODERN RUSSIAN CINEMATOGRAPHY: CULTUROLOGICAL ASPECT
Authors: N. N. Gasheva
Number of views: 264
The article reviews modern Russian cinematography as an actual kind of art in the national culture.
The most significant semantic and stylistic trends of the film processing are revealed and analysed on
the example of films by M. Razbezhkina, К. Serebrennikov, А. Fedorchenko, А. Balabanov, I. Vyrypaev,
А. Uchitel, S. Smirnov and others. It is deducted that cinematography creates an image of time in the language
of time itself and competes with scientific discourse in interpretation of the life purpose problem.
Keywords: actual kind of art, film paradigm, interpreting mind, integrity of cinematic language, Orthodox-
Christian archetype, ethnomythologism, intertextuality, microstory, existential type of communication.