Vestnik KemGUKI

26-33

Authors: Belozerova Marina Vitalievna

Problems of formation of ethnic identity and the ethnic identity preservation are interrelated. The desire to preserve ethnic identity is the guarantor of psychological security and stability. This strategy is called “social creativity” in sociological literature. At the same time, ethnic minorities may choose a different strategy and the “right of self-identification with a negative assessment of the group”. Feeling of inferiority of their ethnic group, a keen perception of discrimination, low personality self-esteem formed in this case. Therefore, certain social groups use ethnic identity as a tool of social engineering. “Circassian issue,” as a part of discussions on the Russian-Caucasian war (option – Caucasian War) of the XIX century, is one of the most discussed political issues of the Caucasian information field of the late 1980s–2010s. “Circassian question” includes several components: the Russian-Circassian relations during the war, deportation and the Circassian people genocide recognition by the world community, the opportunity to receive compensation by the descendants of the victims, the independent state “Great Cherkessia” creation on the base of several Russian Federation subjects confluence, the possibility of the settlers descendants mass return from other countries to Russia with significant preferences obtain. The author’s conclusions are the following. 1. The process of ethnic Circassians consolidation began in the 19th century and was not completed in the early 21st century. 2. The results of the Russian-Caucasian war of the 19th century and “Circassian issue” will always be at the forefront of discussions. They are bright milestones of the ethnic history. Therefore, the discussion issues require very respectful attitude. 3. The separate ethnic group national ideas can develop into nationalism and ethnic tensions. Therefore, the direction and content of ethnic identity should be assessed as part of the social, conflict-free world preservation and strengthening without recrimination titular ethnic groups and ethnic minorities. Keywords: Russian-Circassian interaction, ethnic identity, Russian-Caucasian war of the ХIХth century, “Circassian issue.”

44-52

Authors: Larina Larisa Vladimirovna

Environmental culture is a part of the General Outlook of the individual, is expressed, including the creation of the surrounding material world. The novelty of this study in an attempt to consider ways of education of ecological culture from the point of view of the cultural landscape formation through architecture and urbanism. Architecture – the physical embodiment of the environmental representations – plays an important role in their broadcasts, is considered one of the “tools” of education of ecological culture and the material basis of cultural landscape. Altai is a region, environmentally significant; traditional culture of the Altai retains centuries-old experience of ecological culture dissemination, and this site retained and reproduced the tradition of buildings of different periods. The foundations of the traditions of ecological culture of the Altaians were laid in the era of prehistory and eventually underwent transformation. But the uniqueness of the region in that respect for nature is not only a question of human survival, as a species, and the preservation of the natural environment as his dwelling place, but a cultural phenomenon, the underlying world-view and mindset of the person. The criteria of the cultural landscape (biodiversity conservation, combination of heritage, traditional and innovative culture, similarity anthroposphere and natural environment) are a direct reflection of the environmental culture and the principles of urban activities on the territory of Altai: application of forms and proportions of buildings, the fractal associated with a specific construction site, use of harmonious color schemes, construction of local materials, renewable natural way, in the town planning the scheme settlement orientation to natural objects and terrain features, compliance restrictions against them, respect for the archaeological heritage, the principle of a polycentric system of settlement and inclusion in the urban environment-specific objects related to the culture and folk tradition. Keywords: ecological culture, architectural ambience, cultural landscape, traditional culture, urban planning.

57-64

Authors: Kaplunov Valeriy Aleksandrovich, Skrabina Lyudmila Anatolievna

The article describes the main provisions of the new scientific concept of architectural, historical and ethnographic complex “The Russian population on the river Tom”. Creating the interactive exhibits, demonstrating to visitors of the Museum the cultural and historical events and situations that occurred in the region during the XVII – beginning of XX centuries, which are considered by the authors not only as the next stage in the development of the Museum-reserve “Tomskaya Pisanitsa,” but also as an important social and cultural project of the regional level. Today the ethnographic part of the Museum complex is represented by exposure “Shor ulus Kezek.” This is an authentic complex of dwellings and economic buildings of the Shor of the end of the XIX – beginning of the XX century. At the same time it clearly reflects cultural borrowing associated with the interaction between the Shors with the Russian population. Creation of the exposition dedicated to the history and Ethnography of the Russians on the river Tom was envisaged at the stage of preparation of the decision on establishment of the Museum-preserve “Tomskaya Pisanitsa” and included in the General Development Plan of the Museum-preserve in 1989. New Scientific Concept of the Museum-preserve has significantly adjusted the master plan of 1989. The compositional space of all historical ethnographic complex “Russian river Tom” will include three exhibition areas, demonstrating to visitors of the Museum sections of cultural and historical events and situations that occurred on the territory of the region, since its Foundation in 1604, the first Russian settlement on the river Tom, Tomsk, and up to the beginning of the Soviet period of history of the region. This project aims to ensure the conservation and efficient use of cultural heritage of Kemerovo region, the promotion and popularization of the cultural, historical and spiritual values, involvement in Kuzbass additional tourist flow and further expansion and development of tourism in the region Keywords: Museum “Tomskaya Pisanitsa,” architectural complex, exposition area, historical reconstruction, interactivity, creating the modern museum and tourist infrastructure, social and cultural project.

71-76

Authors: Egle Ludmila Yurievna

In the course of mass resettlement of Germans on the territory of the Russian Empire some subethnic groups were formed, in each of which the specific features of religious musical culture were created. At the initial stage of settling preservation of traditional elements of culture, such factors were promoted as granting free lands, internal self-government, release from military service, a freedom of worship, etc. As a result of antireligious policy of the beginning of the XX century, the Germans were deprived of conditions for fullfledged religious life, however by the beginning of mass deportation of Germans to Siberia, still there were communities keeping an ethnoconfessional way of life and religious musical traditions. As a result of Lutherans’ deportation, as well as Catholics, they had no opportunity to carry out church services, they had no Lutheran bishop, there were no church arrivals, places where they could gather, but only secret family prayers. However, despite it, secret prayful meetings, subsequently been the center of consolidation of special settlers and formations of religious communities gradually began to be organized. Bible texts, spiritual chants, non-initial prayers, sermons were restored by memory or corresponded from the remained songbooks, prayer books, religious books. Hand-written songbooks constantly were replenished with the pleasant verses which answered spiritual needs of the originator. As an example, the hand-written collection which was used in a community of German Lutherans from Youzhny, Kuraginsky district of Krasnoyarsk Krai, made by F. F. Konradi, year of birth 1902, banished from Lutheran reformatory village Bauer in the ASSR of Volga Germans. At the end of the XX century, religious communities were getting support from Germany. Enough spiritual literature arrives, financing the projects directed on preservation of national musical culture begins. However the number of German religious communities during this period reduced sharply. It is connected, first of all, with mass emigration of Germans to Germany, secondly, the average and the younger generation as a result of antireligious promotion departed from religious traditions of ancestors more and more, thirdly, Germans had no opportunity to communicate in the native language and to celebrate national holidays for decades. All these factors promoted destruction of musical traditions of Russian Germans. Keywords: Russian Germans, religious communities, spiritual chants, hand-written collections, transformation.

81-85

Authors: Akhmetshin Arthur Rasimovich, Gorbatov Aleksei Vladimirovich

The authors have studied the phenomenon of the archetype of the Trickster in the world cultural tradition. The aim of this study is to find a universal system of attributive signs of a Trickster. Our theme is relevant, because the question of a universal system of signs of the Trickster in the scientific space remains open and debatable. The literary artistic sources of the Middle Ages and modernity have been used to study this phenomenon. The study is based on the scientific achievements of Carl Gustav Jung and his followers. Signs have been based on the analysis of literary works, on the analogy expressing the similarity of some signs and their comparison. All of these methods are necessary and important for the study, as they allow to consider and identify the signs on the background of changing socio-cultural reality. The results of these studies are the six basic attributes, which in the future could be used for the study of folklore, literature, mythology, and other images of the world cultural tradition. Keywords: Carl Gustav Jung, Jungians, archetypes, Trickster, archetype of Shadow, attributive signs, global cultural tradition.

90-96

Authors: Merkureva Natalia Alekseevna

M. M. Prishvin in his approval of related necessity of attention to all the essence comes to the idea of unity. The basis for moral evaluation of human reflected by the writer is the ability to experience a sympathetic world movement to which the person is connected. In this context, the research of two opposite types of characters corresponding to the classical “natural person” – “man of civilization” – is dedicated. The concept of unity consistently developed by M. M. Prishvin reveals the moral philosophical plan of his works. To exempt from too much attention to himself, the writer suggests to make the center of the inclination “another” or “another-world.” Pictures of universal harmony, personal contact with the general are typical for M. M. Prishvin. Here, the importance of feeling the relationship with everyone as with the only thing, even if this everyone is simply a rain drop creeping on a reverse side of a window is emphasized. Completeness of recognition of another is possible at completeness of sincere participation therefore the writer convinces in need of personal experience of the phenomena. An integral part of personal relation to the world is emotional and strong-willed experience which passive mental reaction isn’t, and certain is moral significant and responsibly active installation of reason and heart. The “sacred” straight line, according to the thinker, so contradicts the law of the nature as far as generalization contradicts the law personal. The writer tries to find a positive solution which result will be an organic compound personal with public. This dream is a reflection of idea of the writer of the truth, and search and implementation of the big truth for all live, the subject filling all the creativity of M.M. Prishvin. Keywords: unity concept, “natural person,” civilization, philosophical prose.

103-116

Authors: Voronova Irina Vitalievna

Visual space of the Russian culture is developed on the Western model as a result of the introduction of surface images, unified clichéd forms based on them. The specificity of graphic exposure of these semantic images is related to positioning the new methods of forming the mass visual culture and popular art. As a consequence, the functional forms of international plan are created by analogy, largely devoid of artistic merit because of weak interaction of visual solutions to a national originality of the Russian culture. Therefore, the key to the problem of renewing the visual space of the Russian culture in the context of national harmonious relationship is functional and aesthetic expression in imagery examples of the country’s graphic design. The purpose of this article is to prove the importance of the main points for plein-air practice in imagery formation of the Russian graphic design, which can be adapted to the internal structure of visual forms of the national system of signs and international components. The optimization process of visual reproduction of signs in the Russian imagery design involves analyzing the emerging relations between the structure and functions, combination and individuality of national and international components. The possibility of getting over the emerged national and international contradictions in the Russian culture is interpreted through the concept of “beauty” and “benefit,” “visual image” and “artistic image,” “explicit” and “implicit” moments in the canon. Thus, the process of artistic creation of the Russian graphic design works, non-traditional forms corresponding to the trends of our time, is carried out by generating the ideas. The specificity of this method is functionally connected with the peculiarities of visualization of images in the arts in general, in the plein-air practice in particular. The result of a research on the creation of artistic and imaginative visual space of the Russian culture can be considered as a need to strengthen functional relationship “explicit” (drawing – international features) and “implicit” (content – national archetypes of consciousness) moments of the canon in graphic design samples. The main result of a research should be considered that the formation of a new visual structure of the Russian culture can be based on a synthesis of certain moments, logically linking the design of effective impact on a recipient of artistic images of graphic design of the country with the process of art creation. Particularly, it is the generation of ideas (implicit formal features) and the visual scene (explicit formal features), carried out by the interaction of national and international, respectively, strengthening the relations of “implicit” and “explicit” in the renewing “canon” category, embodied in the practice of finding the formal composition of work and creating the artistic and plastic language for its interpretation, harmonious ratio of aesthetic expressiveness and usefulness, observed in the visual interpretation of the generated specific artistic image. Keywords: visual image, graphic design, graphic landscape, international, canon, beauty, national, innovations, the use, artistic image.

119-127

Authors: Kalimullin Dilovar Dilovarovich

Interrelationship between the problems arising in current virtual culture is revealed. In the article, the problem of increase of intellectual potential of the personality is considered. The Internet role as a source of transformational mechanisms is considered. Information as an economic and intellectual resource covers value of technological progress and a cultural revolution is shown. The person is compelled to try on various masks trying to adapt for social roles. Creativity ceases to bear only creative force and the car becomes universal language which unites people from the different countries. However in the process of globalization a core of mankind is the spiritual culture. Different points regarding the globalisation process as a dominant tendency of the world development are examined in the paper. Today the globalisation, which has evolved in the economical sphere, is influencing all aspects of human life, including culture. The most threatening tendency is one-side character of cultural interactions and the loss of national and cultural identify by non-western civilisations. The modern globalisation process is in contradiction with secure development. That is why we face the problem of modification of global forms and methods. Culture is the life of the party making its internal essence. A. Mol’s doctrine according to which the purpose of life is information and dynamic doctrines is provided. Spirituality makes a generic difference of a human way of life also sets absolute system of coordinates which supports the person and allows to be guided in its constant fluidity “here and now.” The appeal to the absolute cultural values which are fastened by network education is the Internet justified. Having turned from a desirable product of a human civilization in the obligatory culture can assume a role of the effective mechanism of social regulation preventing the real or possible failures in various spheres of activity of society. Keywords: technology, culture, individual, abstract thinking.

132-140

Authors: Paksina Elena Borisovna

The article is a theoretical analysis of the dialogicality phenomenon, realized in art festival space. The article characterizes cultural dialogisms by M. Bakhtin and V. Bibler’s conceptual positions; dialogism is interpreted as the main characteristics of culture as a whole. In the context of a continuous experiment with creation of forms and contents, contemporary art is represented as a complex set of communicative texts, values, etc., entering into complex dialogical relationships defined by its subject, person of culture, author (artist, creator or interpreter). Not accidentally, idea of creative (cultural) dialogue, which can coordinate the artist’s creative search, realize experience of spiritual and aesthetic self-identity and accomplish the author’s interpretation of the art “eternal” questions, obtains a special meaning. This fact explains the relevance of those forms of cultural creative work, in which artistic ideas exchange practical experience integration, communication as a way of intellectual and creative interaction takes place. Among the huge variety of forms of social and cultural activities of a person and society in recent years the art festival stands out, which is a representation of creativity continuum and art achievements, interpreted on the basis of the cultural dialogue phenomenon. Within the boundaries of the art festival, a cultural dialogue realizes itself in a situation of intercultural interaction, cultural integration, cultural reflection and co-creation, cultural policy management. In this regard, cultural dialogue acquires the basic status in a difficult situation of unsolved questions about the essence of art, cultural lacunae detection and vision of the main role of creativity in reflection of certain nation cultural traits. Keywords: art festival, cultural dialogue, dialogue.

151-162

Authors: Kokkezova Ayshat Mamedyaevna

Matvey Presman is a great pianist, teacher, music and public figure. He played a crucial role in the development of professional musical education in Rostov-on-Don, in training of high-class professional musicians. Also he engaged in a wide propaganda of Russian and foreign music among Rostovites in the late XIX – early XX century. Matvey Presman was an interesting and extraordinary person. Having an absolute talent and a chance to become a successful performer, he chose the path of music and public figure. For many years, Presman was a permanent director of Musical College, which was founded by him and quickly became one of the best in the country that was recognized by many music authorities. However, because of the conflict with the local directorate of the Rostov Department of the Russian Society of Music he had to resign from his post of the director and to leave his native town. At that time Russian Society of Music was the major educational organization, which played a very significant role in musical life of the country. Due to a very complex internal structure of the Society, a lot of conflicts occurred within the organization: between the musicians and the officials and the sponsors of the Society. Such conflict played a dramatic role in Matvey Presman’s life. His struggle for an independent direction without an outside interference ended disappointingly. Guided by his tutor Vasiliy Safonov in his leadership activities, Presman was as highly principled in many issues as his teacher. Important and interesting details of life of the musician, his outlook on life and professional orientations are widely depicted in the present work. The author of the article focuses on the role of Matvey Presman in the development of musical culture of Rostov-on-Don, contributed greatly not only to the culture of his native city but also to the whole South of Russia. Keywords: M. Presman, music culture, professional music education, Russian Society of Music, Charter, A. Rubinshteyn, V. Safonov

169-174

Authors: Karman Elena Vitalievna

The Anglican anthem occupies an important place in the work of William Byrd (1540–1623), a key figure of English musical culture of the High Renaissance. William Byrd stands at the origin of the genre formation, his contribution into development of an anthem is defined not only by quantity (more than fifty works) but also by qualitative processes connected to the ideological and religious, textual and meaningful, musical and stylistic parameters. An anthem is a choral polyphonic work of the religious and moral contents based on the texts of the Bible, first of all, on the book of the Psalms. Carols, teaching and mournful anthems can also be distinguished on the basis of natural verbal and figural typology. The article’s purpose is to identify the specifics of a figurative and musical lexicon of the mournful group of Byrd’s anthem presented in sixteen samples. Considering the anthem as a unity of verbal and musical plans allows us to reveal the works’ rhetorical nature of musical fabric that is not available in the research literature concerning both, works of the composer and the Anglican music in general. There is a general intonational and thematic complex for all the samples expressing the plaintive invocations to God and including the prayful descending melodic turns consisting of the movement on tertias and seconds in mournful anthems. Musical and rhetorical figure catabasis is a key aspect in a figurative and musical lexicon that reflects grieves and complaints of a desperate soul. In general, there is a considerable quantity of musical and rhetorical figures (like anabasis, repetitio, circulatio, noema). In many cases they are presented by William Byrd not in their original and particular musical and semantic value (considering rare graphic fragments), but in a more general and semantic interpretation. Keywords: William Byrd, anglican music, anthem, musical rhetoric, psalm.

183-187

Authors: Kamalieva Aigul Salavatovna

Our reference to the theme of Bashkir men’s garments, particularly headwear, is largely conditioned by insufficient safety of ancient exhibits in museum storerooms, the collections of which are sometimes represented by a small number of exhibits dated back to the XX century. At the same time, ancient hats made of fur and felt are particularly treasurable as examples of hats accumulating the traditional values and concepts of manliness formed in complicated historical, natural and climatic conditions of the Southern Urals and thus being of particular scientific interest for scholars of all fields. The aim of our research is the analysis of Bashkir fur hats to find out the source of origin of characteristic prolate form of Bashkir hats basing on comparative analysis of headwear of the Bashkir early tribes inhabiting the territory of the Southern Urals in ancient times. The scientists distinguish such peculiarities of decorative and design solution of Bashkir hats kolaksyn and kolepereh as elongation of the hat crown, the shape of which might be strictly pyramidal or slightly leaned forward. This peculiarity in its variations is characteristic for all types of Bashkir hats, except for tubeteyka (Bashkir cap), that undoubtedly points to high antiquity of the tradition. The author of the article supposes that the influence of culture of early nomadic tribes which inhabited the territory of the Southern Urals at the turn of our era, according to the latest investigations of distinguished scientists, might be ancient ancestors of the Bashkirs, might form a historical background for the development of high hat shape. The comparative analysis of headwear of the Bashkirs and early nomadic tribes has revealed similarity of certain artistic devices in hat manufacturing, including the shape and methods of adding volume to the hat crown. Keywords: Bashkirs, material culture, hat, costume, garments, the Southern Urals, kolaksyn, felt, fur.

196-204

Authors: Drozd Andrey Nikolaevich

Contemporary art progresses in two directions. On the one hand, in the narrow vein, it makes the creation of new objects without accumulating the artistic experience. In a broader sense, the basis of landscape painting, for example, are the images of the world’s artistic heritage. This is interpreted in the spirit of contemporary creative perception of form. The visual appearance of forms corresponds to the chain and the relations of subordinating the elements: “style-image-composition-color-image.” The purpose of this article is to characterize the certain painting approach to the “landscape” genre. These approaches are based on the inseparable connection of concepts of image and style, resulting in the formation of their synthesis of a special artistic language. The article features images of the natural world in different periods of the landscape painting. It could be medieval China, early Renaissance, European painting of the XVI–XVIII centuries, Russian landscape painting of the XVIII–XIX centuries. And in the areas of impressionism, avant-garde, symbolism, socialist realism et al is characterized by creativity of European and Russian landscape painters of the XX century also. The emphasis in this synthesis study is not on the characteristic features of the style of painting, but in a meaningful way in the artwork. The analysis of specific examples of artistic practice in the article concludes the possibility of forming under certain conditions, a new style of modern landscape painting, visual arts in general. The basis of this style can be based on the following approaches: full-scale landscape made in a decorative manner, allegorical associative landscape, decorative landscape made in monochrome. Keywords: painting, historical style, nature, image, landscape, landscape painting, style trends, trends.

212-216

Authors: Kostiuk Natalia Vasilievna

The problem of additional (musical) education of children in the contemporary socio-economic realities of the Russian Federation is relevant to the system of general and vocational education in Russia. This issue is devoted to presenting the article. Disclosure targets of additional education of children is carried out relying on federal legislation enacted in the past two – three years, the analysis of the transformation objectives of supplementary education of children in historical perspective. The paper produced by correlating the tasks assigned to the system of supplementary education of children to the concept of the state “postindustrial society” and the terms of which this society creates for the development of human capital. The main characteristics of post-industrial society are: the predominance of the innovation sector of the economy, high-knowledge industry, the value of education, professionalism, learning and creativity in the work, empowerment of mass communication and information. The central process that contributes to the development of education, motivation is the development of the younger generations to the knowledge, creativity, work, sports. That is the mission of the additional education at the present stage. In accordance with the designated mission of the additional targets have (musical) education for children are: ensuring the availability of additional educational programs, expansion of their range; development of quality management system of supplementary education; development of human resources of an additional education of children; the development of non-formal and informal education; introduction and development of public-private partnerships; improving financial and economic mechanisms of development of additional education; modernization of the infrastructure of an additional education of children. Keywords: additional education for children, post-industrial society, development of motivation, development targets, new trends.

221-225

Authors: Guk Aleksey Aleksandrovich Dvurechenskaya Anastasia Sergeevna, Sechina Inga Anatolievna, Ulturgasheva Nadezhda Torzhuevna

The article presents the All-Russian contest results of methodical work of general and supplementary education teachers, workers of socio-cultural institutions “Education. Culture. Creation”, conducted by the Research Institute of applied culturology of the Kemerovo State University of Culture and Arts the purpose of which is to identify and disseminate best practices in areas such as cultural studies, media education, folk art culture, regional studies. Keywords: culturology, media education, folk art culture, local history, programs of additional education, methodical work.