Revista Araticum

3-11

Authors: Robson Coelho Tinoco/ Marília de Alexandria

Under the dialogical notion of a given poetic-musical language can be structured activities that best relate literature and music (popular and classical). In that current context historical of globalization and multisemiotic informations it is believed that, in the measure in the person notices the due relation / integration of those levels, the contact with the implicit musicality in the verses of poems will make possible that she is apprehended better until as contemporary melopoetic element. With such concern, and leaning on in analyses of Mikhail Bakhtin, Octavio Paz, José Miguel Wisnik, Luiz Tatit e Jusamara Souza, the theoretical foundations of the process consider, basically, a conception dialogical and interactionist of that of those artistics language).

23-41

Authors: Maria Gloria Cusumano Mazzi

This paper presents some considerations on intertextuality in general and highlighs the different definitions of parody in special, from Aristotle to the present.

52-59

Authors: Wesley Thales de Almeida Rocha

This article discusses the book Per Augusto & Machina, by Romério de Rômulo, opposing his poetic to his previous books especially Matéria Bruta (‘Gross Matter’). There is something evident in Romério’s poetic trace in this new work and confirms the poet's commitment to combine the various components and real power of his poetry in a "new and opening" language. Other features are transformed and reorganized in a voice accustomed to cry, or to bark more than a language, that is, an almost human and almost animal language. The reference to Augusto dos Anjos, a poet with which Romério Romulus dialogues from the book's title, helps to understand much of that wild intelligence featuring poems. In addition, there is a distinct affiliation of the author to the Baroque which intensifies and transforms from Matéria Bruta and it seems to give new meaning to his poetic work likewise.